Watching Babylon: The War in Iraq and Global Visual Culture
Autor Nicholas Mirzoeffen Limba Engleză Paperback – 4 noi 2004
Mirzoeff shows how the endless stream of images flowing from the Gulf has necessitated a new form of visual thinking, one which recognises that the war has turned images themselves into weapons. Drawing connections between the history and legend of ancient Babylon, the metaphorical Babylon of Western modernity, and everyday life in the modern suburb of Babylon, New York, Mirzoeff explores ancient concerns which have found new resonance in the present day.
In the tradition of Walter Benjamin, Watching Babylon illuminates the Western experience of the Iraqi war and makes us re-examine the very way we look at images of conflict.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 232.46 lei 6-8 săpt. | |
Taylor & Francis – 4 noi 2004 | 232.46 lei 6-8 săpt. | |
Hardback (1) | 758.57 lei 6-8 săpt. | |
Taylor & Francis – 4 noi 2004 | 758.57 lei 6-8 săpt. |
Preț: 232.46 lei
Preț vechi: 314.60 lei
-26% Nou
44.49€ • 46.93$ • 37.08£
Carte tipărită la comandă
Livrare economică 03-17 ianuarie 25
Specificații
ISBN-10: 0415343100
Pagini: 216
Ilustrații: 15 b/w images
Dimensiuni: 138 x 216 x 12 mm
Greutate: 0.4 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
1. Babylonian Modernity 2. The Empire of Camps 3. Babylon: Long Island 4. Of Wars, Ancient and Modern
Notă biografică
Nicholas Mirzoeff is Associate Professor of Art at Stony Brook University. He is the author of Bodyscape; Art, Modernity and the Ideal Figure (1995) and An Introduction to Visual Culture (1999), and the editor of The Visual Culture Reader (second edition 2002)
Recenzii
Descriere
Groundbreaking and compelling, Watching Babylon examines the experience of watching the war against Iraq on television, on the internet, in the cinema and in print media.
Mirzoeff shows how the endless stream of images flowing from the Gulf has necessitated a new form of visual thinking, one which recognises that the war has turned images themselves into weapons. Drawing connections between the history and legend of ancient Babylon, the metaphorical Babylon of Western modernity, and everyday life in the modern suburb of Babylon, New York, Mirzoeff explores ancient concerns which have found new resonance in the present day.
In the tradition of Walter Benjamin, Watching Babylon illuminates the Western experience of the Iraqi war and makes us re-examine the very way we look at images of conflict.