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We Can Take It!

Autor Mark Connelly
en Limba Engleză Paperback – 14 apr 2004
`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality. These images (including complete inventions) have combined to make a new history. The vision is mostly cosy and suits the way in which the Britons conceive of themselves: dogged, good humoured, occasionally bumbling, unified and enjoying diversity. In fact Britons load their memory towards the early part of the war (Dunkirk, Blitz, Battle of Britain) rather than when we were successful in the air or against Italy and Germany with invasions. This suits our love of being the underdog, fighting against the odds, and being in a crisis. Conversely, the periods of the war during which Britain was in the ascendant are, perversely, far more hazy in the public memory.
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Specificații

ISBN-13: 9780582506077
ISBN-10: 0582506077
Pagini: 336
Dimensiuni: 156 x 234 x 243 mm
Greutate: 0.45 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Undergraduate

Cuprins

Introduction.  1. Mr Chamberlain’s face: September 1939-May 1940.  2. A Colossal Military Disaster: Dunkirk and the Fall of France, May- June 1940.  3. The Fewest of the Few: the Battle of Britain, June-September 1940.  4. London Pride has been handed down to us: the Blitz, September 1940-May 1941.  5. Over-sexed, over-paid and over here: Home Front, 1941-1945, Yanks, Women and Auntie Beeb.  6. Bless 'em all – the British Army, 1941-1945.  7. ‘Take That, Fritz’: commandos, prisoners of war and the boy’s own war.  8. ‘It ain’t half hot mum’: the forgotten campaigns.  9. Gotcha!: recasting the Second World War, 1945-2002.  Epilogue.

Descriere

We Can Take It explores how the memory of the Second World War continues to affect British contemporary life and why the war effort holds an important place in British culture, history and national identity. Connelly explores the way in which the British memory of the Second World War was created during the war, and maintained after it through cultural artefacts such as films, comics, art, literature and toys. Connelly moves away from recent interpretations of the British war effort which have suggested that the rosy vision of cohesion, solidarity and unity is little more than a myth. Britain’s role in the war is seen as something that we should be proud of, and need to come to terms with in order to eradicate problems in our national self-perception.