We'll Have Manhattan: The Early Work of Rodgers & Hart: Broadway Legacies
Autor Dominic Symondsen Limba Engleză Hardback – 26 mar 2015
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 143.54 lei 32-37 zile | |
Oxford University Press – 30 noi 2017 | 143.54 lei 32-37 zile | |
Hardback (1) | 366.69 lei 32-37 zile | |
Oxford University Press – 26 mar 2015 | 366.69 lei 32-37 zile |
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Specificații
ISBN-13: 9780199929481
ISBN-10: 0199929483
Pagini: 356
Ilustrații: 30 illustrations and 27 music examples
Dimensiuni: 236 x 157 x 33 mm
Greutate: 0.6 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Broadway Legacies
Locul publicării:New York, United States
ISBN-10: 0199929483
Pagini: 356
Ilustrații: 30 illustrations and 27 music examples
Dimensiuni: 236 x 157 x 33 mm
Greutate: 0.6 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Broadway Legacies
Locul publicării:New York, United States
Recenzii
[A] superb study ... The author succeeds in all respects ... The numerous examples of songs and musical phrases provide excellent insights into Hart and Rodgers's methods ... This outstanding volume will be a required resource for those interested in musical theater.
In his new book, Dominic Symonds gives a detailed, scholarly account of the work produced by Rodgers and Hart during the first 15 years or so of their partnership... I look forward to subsequent additions and editions (as Hart might have said) as he continues his research.
In We'll Have Manhattan: The Early Work of Rodgers and Hart, Dominic Symonds deftly explores the period from 1919 to 1931 when the celebrated team did their chronological and artistic growing up. Impeccably researched and sensitively written, this essential book offers detailed but accessibly presented musical and lyrical analyses as well as insights into two young geniuses as they were becoming, but had not yet become, the icons of the American songbook we now know them to be. Highly recommended.
Symonds writes engagingly and colorfully, yet with exhaustive research and expertise, about these lesser-known shows and the personalities that created them; scholars and fans alike will benefit from this much-needed study of Rodgers and Hart's early years. He upends the narrative of how the Broadway musical became 'integrated,' arguing that having songs fit plots and serve characters was as much a response to external pressures - from critics, producers, and a sense of America's struggle for identity - as an artistic pursuit. Full of context and history, this study also pauses to dig into the material; this book is worth reading just to watch Symonds examine 'Thou Swell' from every conceivable musical and cultural angle.-Jessica Sternfeld, author of The Megamusical
In his new book, Dominic Symonds gives a detailed, scholarly account of the work produced by Rodgers and Hart during the first 15 years or so of their partnership... I look forward to subsequent additions and editions (as Hart might have said) as he continues his research.
In We'll Have Manhattan: The Early Work of Rodgers and Hart, Dominic Symonds deftly explores the period from 1919 to 1931 when the celebrated team did their chronological and artistic growing up. Impeccably researched and sensitively written, this essential book offers detailed but accessibly presented musical and lyrical analyses as well as insights into two young geniuses as they were becoming, but had not yet become, the icons of the American songbook we now know them to be. Highly recommended.
Symonds writes engagingly and colorfully, yet with exhaustive research and expertise, about these lesser-known shows and the personalities that created them; scholars and fans alike will benefit from this much-needed study of Rodgers and Hart's early years. He upends the narrative of how the Broadway musical became 'integrated,' arguing that having songs fit plots and serve characters was as much a response to external pressures - from critics, producers, and a sense of America's struggle for identity - as an artistic pursuit. Full of context and history, this study also pauses to dig into the material; this book is worth reading just to watch Symonds examine 'Thou Swell' from every conceivable musical and cultural angle.-Jessica Sternfeld, author of The Megamusical
Notă biografică
Dominic Symonds is Reader in Drama at the University of Lincoln and founding editor of the journal Studies in Musical Theatre. He is also a director and writer for musical theatre.