We Need to Talk About Kevin: A Novel
Autor Lionel Shriveren Limba Engleză Paperback – 2 iul 2006
Acclaimed author Lionel Shriver's gripping international bestseller about motherhood gone awry
Shriver’s resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them reverberates with the haunting power of high hopes shattered by dark realities.
Eva never really wanted to be a mother—and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
Like Shriver’s charged and incisive later novels, including So Much for That and The Post-Birthday World, We Need to Talk About Kevin is a piercing, unforgettable, and penetrating exploration of violence, family ties, and responsibility.
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Paperback (5) | 44.61 lei 22-36 zile | +18.77 lei 5-11 zile |
Profile – 31 mar 2011 | 44.61 lei 22-36 zile | +18.77 lei 5-11 zile |
Profile – 28 apr 2010 | 60.84 lei 22-36 zile | +24.96 lei 5-11 zile |
Profile – 27 ian 2016 | 61.53 lei 22-36 zile | +26.38 lei 5-11 zile |
HarperCollins Publishers – 2 iul 2006 | 100.36 lei 22-36 zile | +38.51 lei 5-11 zile |
HarperCollins Publishers – 13 iun 2016 | 141.68 lei 17-23 zile | +13.15 lei 5-11 zile |
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Specificații
ISBN-10: 006112429X
Pagini: 432
Dimensiuni: 135 x 203 x 25 mm
Greutate: 0.27 kg
Editura: HarperCollins Publishers
Colecția HarperPerennial
Textul de pe ultima copertă
Eva never really wanted to be a mother—and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
Recenzii
“Furiously imagined.” — Seattle Times
“An underground feminist hit.” — New York Observer
“A slow, magnetic descent into hell that is as fascinating as it is disturbing.” — Cleveland Plain Dealer
“Shriver handles this material, with its potential for cheap sentiment and soap opera plot, with rare skill and sense.” — Newark Star Ledger
“Powerful [and] harrowing.” — Entertainment Weekly
“Impossible to put down.” — Boston Globe
Notă biografică
Lionel Shriver's fiction includes The Mandibles; Property; the National Book Award finalist So Much for That; the New York Times bestseller The Post-Birthday World; and the international bestseller We Need to Talk About Kevin, adapted for a 2010 film starring Tilda Swinton. Her journalism has appeared in the Guardian, the New York Times, the Wall Street Journal, and many other publications. She's a regular columnist for the Spectator in Britain and Harper's Magazine in the US. She lives in London and Brooklyn, New York.
Descriere
Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage in a series of startlingly direct correspondences with her absent husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.