Weird Fiction and Science at the Fin de Siècle: Palgrave Studies in Literature, Science and Medicine
Autor Emily Alderen Limba Engleză Hardback – 10 ian 2020
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Specificații
ISBN-13: 9783030326517
ISBN-10: 3030326519
Pagini: 250
Ilustrații: X, 250 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.46 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Literature, Science and Medicine
Locul publicării:Cham, Switzerland
ISBN-10: 3030326519
Pagini: 250
Ilustrații: X, 250 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.46 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Literature, Science and Medicine
Locul publicării:Cham, Switzerland
Cuprins
Chapter 1: Weird tales and scientific borderlands at the fin de siècle.- Part I: Borderlands of Mind, Body, and Spirit.- Chapter2: Weird selves, weird worlds: psychology, ontology, and states of mind in Robert Louis Stevenson and Arthur Machen.- Chapter 3: Weird knowledge: experiments, senses, and epistemology in Stevenson, Machen, and Nesbit.- Chapter 4: Weirdfinders: reality, mastery, and the occult in E. and H. Heron, Algernon Blackwood, and William Hope Hodgson.- Part II: Borderlands of Time, Place, and Matter.- Chapter 5: Meat and mould: the weird creatures of William Hope Hodgson and H. G. Wells.- Chapter 6: Weird energies: physics, futures, and the secrets of the universe in Hodgson and Blackwood.
Recenzii
“In Weird Fiction and Science at the Fin de Siècle, Emily Alder offers a clear and exceptionally compelling examination of the evolution of pre-Lovecraftian weird horror, a genre that simultaneously appropriates as it repudiates the positivist tendencies of Victorian science in its generation of monsters. … Alder’s monograph is a valuable contribution to scholarship on the weird and will hopefully inspire more work on this fascinating and undertheorized genre.” (L. A. Delgado, Victorian Studies, Vol. 65 (2), 2023)
“Alder’s Weird Fiction and Science at the Fin de Siècle, in sum, provides a detailed close reading of the interrelationship between science and the Weird taleand, although, her study primarily concerns itself with British Weird fiction of the late nineteenth and early twentieth century, much of what is explored in this volume remains relevant to the subsequent development of the Weird tale as well as to contemporary scientific advancements.” (Fredrik Blanc, Fantastika Journal, Vol. 5 (1), May, 2021)
“Alder’s Weird Fiction and Science at the Fin de Siècle, in sum, provides a detailed close reading of the interrelationship between science and the Weird taleand, although, her study primarily concerns itself with British Weird fiction of the late nineteenth and early twentieth century, much of what is explored in this volume remains relevant to the subsequent development of the Weird tale as well as to contemporary scientific advancements.” (Fredrik Blanc, Fantastika Journal, Vol. 5 (1), May, 2021)
Notă biografică
Dr Emily Alder is Lecturer in Literature and Culture at Edinburgh Napier University in Scotland, UK, and a member of the RSE Young Academy of Scotland. She is Editor of the journal Gothic Studies, and co-editor of Gothic Science Fiction, 1980–2010 (2011). This is her first book.
Textul de pe ultima copertă
This book explores how nineteenth-century science stimulated the emergence of weird tales at the fin de siècle, and examines weird fiction by British writers who preceded and influenced H. P. Lovecraft, the most famous author of weird fiction. From laboratory experiments, thermodynamics, and Darwinian evolutionary theory to psychology, Theosophy, and the ‘new’ physics of atoms and forces, science illuminated supernatural realms with rational theories and practices. Changing scientific philosophies and questioning of traditional positivism produced new ways of knowing the world—fertile borderlands for fictional as well as real-world scientists to explore. Reading Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886) as an inaugural weird tale, the author goes on to analyse stories by Arthur Machen, Edith Nesbit, H. G. Wells, William Hope Hodgson, E. and H. Heron, and Algernon Blackwood to show how this radical fantasy mode can be scientific, and how sciences themselves were often already weird.
Dr Emily Alder is Lecturer in Literature and Culture at Edinburgh Napier University in Scotland, UK, and a member of the RSE Young Academy of Scotland. She is Editor of the journal Gothic Studies, and co-editor of Gothic Science Fiction, 1980–2010 (2011). This is her first book.
This essential book combines astute literary analysis with scientific historicism, making an important case for the need to read speculative realism through nineteenth-century developments in biology, physics, psychology and spiritualism. Rather than reduce the work of key exponents like H. P. Lovecraft, Algernon Blackwood, Edith Nesbit or William Hope Hodgson to a mere cultural mirror, Alder shows how both science and weird fiction need to be understood as comparable responses to significant changes in conceptions of time, space and being that shaped the modern world.
Xavier Aldana Reyes, Reader in English Literature and Film, Manchester Metropolitan University
Dr Emily Alder is Lecturer in Literature and Culture at Edinburgh Napier University in Scotland, UK, and a member of the RSE Young Academy of Scotland. She is Editor of the journal Gothic Studies, and co-editor of Gothic Science Fiction, 1980–2010 (2011). This is her first book.
This essential book combines astute literary analysis with scientific historicism, making an important case for the need to read speculative realism through nineteenth-century developments in biology, physics, psychology and spiritualism. Rather than reduce the work of key exponents like H. P. Lovecraft, Algernon Blackwood, Edith Nesbit or William Hope Hodgson to a mere cultural mirror, Alder shows how both science and weird fiction need to be understood as comparable responses to significant changes in conceptions of time, space and being that shaped the modern world.
Xavier Aldana Reyes, Reader in English Literature and Film, Manchester Metropolitan University
Caracteristici
Explores how nineteenth-century science stimulated the emergence of weird tales at the fin de siècle Examines weird fiction by British writers who preceded and influenced H. P. Lovecraft Shows how this radical fantasy mode can be scientific Explains how sciences themselves were often already weird