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What to Listen For in Music de Aaron Copland

What to Listen For in Music

Autor Aaron Copland
en Limba Engleză Paperback – 26 sep 2016
Whether they enjoy listening to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: are they hearing everything that's going on? Are they really being sensitive to it? With his provocative suggestions, American composer Aaron Copland guides readers through the intricacies of music, providing them with the tools they need to gain a deeper appreciation of this beautiful and rewarding art form.
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Specificații

ISBN-13: 9780451531766
ISBN-10: 0451531760
Pagini: 304
Ilustrații: Illustrations
Dimensiuni: 105 x 172 x 33 mm
Greutate: 0.16 kg
Editura: Penguin Random House Group
Colecția Signet Classics
Locul publicării:New York, United States

Cuprins

What to Listen for in Music Aaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1. Preliminaries
2. How We Listen
3. The Creative Process in Music
4. The Four Elements of Music—I. Rhythm
5. The Four Elements of Music—II. Melody
6. The Four Elements of Music—III. Harmony
7. The Four Elements of Music—IV. Tone Color
8. Musical Texture
9. Musical Structure
10. Fundamental Forms—I. Sectional Form
11. Fundamental Forms—II. Variation Form
12. Fundamental Forms—III. Fugal Form
13. Fundamental Forms—IV. Sonata Form
14. Fundamental Forms—V. Free Forms
15. Opera and Music Drama
16. Contemporary Music
17. Film Music
18. From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index

Notă biografică

Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.