Where Words and Images Meet
Editat de Prof. Ludmilla Jordanova, Dr. Florence Granten Limba Engleză Paperback – 6 mar 2024
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Specificații
ISBN-13: 9781350300552
ISBN-10: 1350300551
Pagini: 248
Ilustrații: 90 bw and colour illus
Dimensiuni: 189 x 246 x 16 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350300551
Pagini: 248
Ilustrații: 90 bw and colour illus
Dimensiuni: 189 x 246 x 16 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Foregrounds previously overlooked topics as well as disciplinary approaches outside those most familiarly associated with word and image
Notă biografică
Ludmilla Jordanova is Emeritus Professor of History and Visual Culture at Durham University, UK. She is the author of History in Practice, 3rd Edition (Bloomsbury, 2019) and co-editor of Writing Visual Histories (Bloomsbury, 2020).Florence Grant holds a PhD in History from King's College London, UK, and is currently an independent writer and editor based in Western North Carolina, USA. With Ludmilla Jordanova, she is co-editor of Writing Visual Histories (Bloomsbury, 2020).
Cuprins
List of PlatesList of IllustrationsList of ContributorsPreface and Acknowledgements IntroductionPart I. Identifying with BooksDiscussion1. Fronts Matter: The Role of the Authorial Frontispiece in Germaine de Staël's Corinne: or, Italy (Seren Nolan, Durham University, UK)2. Othering the Ex-Libris: Israel Solomons and the Invention of the Jewish Bookplate (Tom Stammers, Durham University, UK)BridgePart II. Representing AuthorityDiscussion3. Picturing Criminal Law in Old Regime France (Tom Hamilton, Durham University, UK)4. Word and Image in Popular Science (Joseph D. Martin, Durham University, UK)BridgePart III. Order and DisorderDiscussion5. Museum Labels: Word and Object on Display (Lola Sánchez-Jáuregui, University of Glasgow, UK)6. Play with Literacy in Edward Lear's Nonsense Alphabets (A. Robin Hoffman, Art Institute of Chicago, USA)BridgePart IV. Authenticity and InterpretationDiscussion7. On Taking Artists at Their Word: Artists' Writings and Statements from 1850 to the Present (Lucy Whelan, University of Cambridge, UK)8. Portraiture and Biography: Harmonious Marriage or Difficult Relationship? (Ludmilla Jordanova, Durham University, UK)BridgePart V. Making, Compiling, ArrangingDiscussion9. Extra-Illustration in Early Twentieth-Century England (Ludmilla Jordanova, Durham University, UK)10. Beyond the Caption: Words and Images in an Interwar Soviet Amateur Photograph Album (Antonia Miejluk, Durham University, UK)BridgePart VI. Words in the Visual FieldDiscussion11. Word as Image: The Verbal in the Photograph (J. J. Long, Durham University, UK)12. Text-Image Hybridity in Know Thyself and Early Modern English Print (Finola Finn, independent scholar, Germany)BridgeAfterword: Word, Image and PlayBibliographyIndex
Recenzii
Framed by a bracingly intelligent introduction and commentaries that challenge conventional notions about word/image relationships, the essays gathered here ground subtle arguments in detailed analyses of telling cases. The material is unfamiliar, the treatment eye-opening.
Words and images meet, and they also converse, in this exhilarating collection. It makes its mark not just as a sequence of enthralling case studies but as a model for fruitful interdisciplinary discussion.
A superb edited volume . Through their interventions as editors, Jordanova and Grant guide us through a series of thought-provoking topics. This is a book that asks us to think about why people put bookplates in their personal libraries, why we keep photographs, how popular illustrated journals function, and much, much more.
Words and images meet, and they also converse, in this exhilarating collection. It makes its mark not just as a sequence of enthralling case studies but as a model for fruitful interdisciplinary discussion.
A superb edited volume . Through their interventions as editors, Jordanova and Grant guide us through a series of thought-provoking topics. This is a book that asks us to think about why people put bookplates in their personal libraries, why we keep photographs, how popular illustrated journals function, and much, much more.