White People in Shakespeare: Essays on Race, Culture and the Elite
Editat de Arthur L. Little, Jr.en Limba Engleză Paperback – 25 ian 2023
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Specificații
ISBN-13: 9781350285668
ISBN-10: 1350285668
Pagini: 320
Ilustrații: 4 bw illus
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
ISBN-10: 1350285668
Pagini: 320
Ilustrații: 4 bw illus
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom
Caracteristici
It provides an indispensable overview of white people in Shakespeare from the 16thC to the present, paying particular attention to America, where Shakespeare's whiteness became inextricable from America's dogged pursuit of an Anglo-Saxon racial inheritance during the 20thC and beyond
Notă biografică
Arthur L. Little, Jr. is an associate professor of English at UCLA, USA. He is the author of Shakespeare Jungle Fever: Re-Visions of Race, Rape, and Sacrifice (2000) and Shakespeare and Race Theory (forthcoming, The Arden Shakespeare).
Cuprins
List of Illustrations Acknowledgements List of Contributors Introduction: 'Assembling an Aristocracy of Skin'Arthur L. Little, Jr. (University of California, USA) Part I: Shakespeare's White People Chapter 1 'Two loves I have of comfort and despair:' The Circle of Whiteness in the Sonnets Imtiaz Habib (Old Dominion University, USA) Chapter 2 Staging the Blazon: Black and White and Red All OverEvelyn Gajowski (University of Nevada, USA) Chapter 3 Red Blood on White Saints: Affective Piety, Racial Violence, and Measure for MeasureDennis Austin Britton (University of New Hampshire, USA) Chapter 4 Antonio's White Penis: Category Trading in The Merchant of VeniceIan Smith (Lafayette College, USA) Chapter 5 'Envy Pale of Hew': Whiteness and Division in 'Fair Verona'Kyle Grady (University of California, USA) Chapter 6 "Shake thou to look on't": Shakespearean White HandsDavid Sterling Brown (Binghamton University, SUNY, USA) Chapter 7 'Pales in the Flood': Blood, Soil, and Whiteness in Shakespeare's HenriadAndrew Clark Wagner (University of California, USA) Chapter 8 Disrupting White Genealogies in CymbelineJoyce MacDonald (University of Kentucky, USA) Chapter 9 White Freedom, White Property, and White Tears: Classical Racial Paradigms and the Construction of Whiteness in Julius Caesar Katherine Gillen (Texas A&M University, USA) Chapter 10 Hamlet and the Education of the White SelfEric De Barros (American University of Sharjah, UAE) Chapter 11 'The Blank of What He Was': Dryden, Newton, and the Discipline of Shakespeare's White People Justin P. Shaw (Clark University, USA) Part II: White People's Shakespeare Chapter 12 Can You Be White and Hear This?: The Racial Art of Listening in American Moor and Desdemona Kim Hall (Barnard College, USA) Chapter 13 White Lies: In Conversation Peter Sellars (UCLA, USA) and Ayanna Thompson (Arizona State University, USA) Chapter 14 A Theatre Practice against the Unbearable Whiteness of Shakespeare: In Conversation Keith Hamilton Cobb (actor, USA), Anchuli Felicia King (playwright and screenwriter, AUS), and Robin Alfriend Kello (University of California, USA) Chapter 15 'The soul of a great white poet': Shakespearean Educations and the Civil Rights EraJason M. Demeter (Norfolk State University, USA) Chapter 16 'White Anger: Shakespeare's my Meat'Ruben Espinosa (Arizona State University, USA) Chapter 17 'I saw them in my visage': Whiteness, Race Studies, and Early Modern CultureMargo Hendricks (University of California, USA) Chapter 18The White Shakespearean and Daily PracticeJean E. Howard (Columbia University, USA) Chapter 19No Exeunt: The Urgent Work of Critical WhitenessPeter Erickson (Northwestern University, USA) Index
Recenzii
Expressing ideas that have developed over several decades of brave and tenacious scholarship, this collection opens a new chapter in the study of Shakespeare and the study of race. It sets out a clear demand for future scholarship, artistic practice, and activism: to produce a Shakespeare that is about "more than whiteness." With searching intellectual power and heart, White People In Shakespeare demonstrates why the critique of "whiteness" is a precondition for understanding Shakespeare in the 21st Century.
This big and provocative gathering of established and new voices gives us much of what Shakespeare had to say, in character and verse, about whiteness, as there were just beginning to be "white people." Its contributors likewise show the troubling reach of Shakespeare's genius in reproducing hegemonic whiteness across generations.
This big and provocative gathering of established and new voices gives us much of what Shakespeare had to say, in character and verse, about whiteness, as there were just beginning to be "white people." Its contributors likewise show the troubling reach of Shakespeare's genius in reproducing hegemonic whiteness across generations.