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Winslow Homer in the Adirondacks: New York State Series

Autor David Tatham
en Limba Engleză Paperback – 29 feb 2004
Winslow Homer made his first visit to the Adirondacks in 1870 and his last in 1910, just two months before his death. His first and subsequent visits to the region coincided with the growing public concern that led to the creation of the Adirondack Forest Preserve in 1885 and the Adirondack State Park in 1892...David Tatham demonstrates very convincingly that Homer's 'Adirondack oils and watercolors constitute a highly original examination of the human race's relationship to the natural world at a time when long-established assumptions about humans, nature, and art itself were undergoing profound change.'...The visual focus is upon the artist's twenty-four Adirondack oils and watercolors that are superbly reproduced in full color...An impressive work that is fully worthy of its subject. - New York History; "[Tatham]...explores the influence of Darwinism and [Homer's] residence in England on his perception of nature. The author notes the success of the artist's watercolours on his return to the Adirondacks in 1889, explores his use of hunting imagery, and the repeated appearance of Beaver Mountain in his work until his death in 1910." - Artbibliographics
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Specificații

ISBN-13: 9780815607731
ISBN-10: 0815607733
Pagini: 158
Dimensiuni: 241 x 279 x 15 mm
Greutate: 0.96 kg
Editura: Syracuse University Press
Seria New York State Series


Textul de pe ultima copertă

In this lavishly illustrated volume, David Tatham turns his eye to Winslow Homer's Adirondack oils, drawings, prints, and watercolors - more than a hundred pieces from the artist's many visits to the region between 1870 and 1910. Homer's affinity for this remote region of New York State lasted for forty years. No other place - not even Prout's Neck in Maine - held his attention as an artist for so long a period. Nearly every time he set out for the Adirondacks he went to the same two places - the environs of Keene Valley and a group of rustic buildings in a forest clearing in the Essex County township of Minerva, south of the High Peaks. Tatham casts Homer's early Adirondack works as postbellum pastorals and explores the impact of Darwinian thought on Homer's later works. He examines the concepts of landscape and wilderness, the development of the Adirondack park, and the forest preservation movement, as well as Homer's contemporaneous work in Maine, the Caribbean, and England.