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Women and Economics: Mint Editions

Autor Charlotte Perkins Gilman
en Limba Engleză Paperback – 31 dec 2020

Author of the well-known short story "The Yellow Wallpaper" and other important fiction, Charlotte Perkins Stetson] Gilman (1860 1935) was an ardent advocate of women's rights. In this classic feminist treatise, Gilman argues that women's dependence on men for their livelihood results in a state of arrested intellectual and emotional development deleterious to both genders. Moreover, she explains, such reliance causes shortcomings in the human species as a whole.
A landmark in feminist theory, "Women and Economics" was translated into seven languages and hailed as the "Bible" of the women's movement. Although its author's influence declined in the post-World War I period, modern feminists have returned to her still-incisive observations on the role and status of women, establishing Gilman as an important early figure in the struggle for women's economic and social rights. Now Gilman's masterpiece of feminist theory is again available in this modestly priced edition, ready to stimulate and inspire a new generation of women and men engaged in the ongoing fight for gender equality. New Introduction by Sheryl L. Meyering."

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Specificații

ISBN-13: 9781513269849
ISBN-10: 1513269844
Pagini: 178
Dimensiuni: 127 x 203 x 10 mm
Greutate: 0.2 kg
Editura: Mint Editions
Seria Mint Editions


Notă biografică

Charlotte Perkins Gilman (1860-1935) was an American author, feminist, and social reformer. Born in Hartford, Connecticut, Gilman was raised by her mother after her father abandoned his family to poverty. A single mother, Mary Perkins struggled to provide for her son and daughter, frequently enlisting the help of her estranged husband¿s aunts, including Harriet Beecher Stowe, the author of Uncle Tom¿s Cabin. These early experiences shaped Charlotte¿s outlook on gender and society, inspiring numerous written works and a lifetime of activism. Gilman excelled in school as a youth and went on to study at the Rhode Island School of Design where, in 1879, she met a woman named Martha Luther. The two were involved romantically for the next few years until Luther married in 1881. Distraught, Gilman eventually married Charles Walter Stetson, a painter, in 1884, with whom she had one daughter. After Katharine¿s birth, Gilman suffered an intense case of post-partum depression, an experience which inspired her landmark story ¿The Yellow Wallpaper¿ (1890). Gilman and Stetson divorced in 1894, after which Charlotte moved to California and became active in social reform. Gilman was a pioneer of the American feminist movement and an early advocate for women¿s suffrage, divorce, and euthanasia. Her radical beliefs and controversial views on race¿Gilman was known to support white supremacist ideologies¿nearly consigned her work to history; at the time of her death none of her works remained in print. In the 1970s, however, the rise of second-wave feminism and its influence on literary scholarship revived her reputation, bringing her work back into publication.

Textul de pe ultima copertă

Women and Economics is Gilman's most original and famous work of nonfiction. In it she examines the origins of women's subordination and its function in society. Woman, she argues, makes a living by marriage - not by the work she does - and thus man becomes her economic environment. As a consequence, her "female" attributes dominate her "human" qualities because they determine her survival. Gilman's thesis challenges both biological and theological arguments about women's innate passivity and defies the virtual exclusion of women in classical sociological theory. If women are to fully engage in domestic and public life, Gilman contends that their emancipation requires both economic participation and adequate child care. Gilman's argument in this classic work resonates today, as women continue their struggle to find a meaningful independent identity and to balance work and family. Here reprinted with a new introduction, Women and Economics belongs on the same shelf as works by Betty Friedan, Simone de Beauvoir, and other pioneering feminists.