Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors
Editat de Dr. Sébastien Doubinsky, Dr. Christina Kkonaen Limba Engleză Paperback – 7 feb 2024
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Specificații
ISBN-13: 9781501384455
ISBN-10: 1501384457
Pagini: 232
Dimensiuni: 140 x 216 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501384457
Pagini: 232
Dimensiuni: 140 x 216 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Collects specially commissioned interviews with famous and emerging writers and editors from varied personal backgrounds, including Ellen Datlow, Anya Martin, Nuzo Onoh and Priya Sharma
Notă biografică
Christina Kkona is Marie Curie Cofund Fellow-Associate Professor at the Aarhus Institute of Advanced Studies, Aarhus University, Denmark. She is co-editor, with Didier Coste and Nicoletta Pireddu, of Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2021).Sébastien Doubinsky is Associate Professor of French at the Aarhus University, Denmark. His publications include Reading Literature Today, with Tabish Khair (2011), and Equivalence(s): Necessity and Challenges in Translation Today, with Merete Birkelund and Christina Kkona (2019). He has also published many novels and poetry collections in English and French.
Cuprins
AcknowledgmentsIntroduction1. Eugen Bacon2. Francesca Barbini3. J. S. Breukelaar4. V. Castro5. Ellen Datlow6. Gemma Files7. Elizabeth Hand8. Marie Howalt9. Ai Jiang10. Penny Jones11. Margaret Killjoy12. Kathe Koja13. Anya Martin14. Angela Mi Young Hur15. Jane Mondrup16. Lisa Morton17. Malka Older18. Nuzo Onoh19. Cat Rambo20. Tricia Reeks21. Priya Sharma22. Angela Slatter23. Ann VanderMeer24. Kaaron WarrenIndex
Recenzii
This very original collection of carefully led interviews brings together established and new international voices from the field of horror and speculative fiction written by women. Their great variety and the energy they deploy cast new light and raise intriguing and intertwined questions about the category and categories of 'genre' fiction, enriched and complicated by gender and intersectional issues.
Women of Horror and Speculative Fiction achieves two important aims. It tells of how progressive intersectional politics has performed, disguised as 'mere' genre fiction, beneath prescriptions of literariness, whilst unyoking itself from equally prescriptive notions of gender. In horror and speculative fictions, these genre narratives told the Other's story. But the volume also witnesses this telling, not with a sovereign eye, but through 24 compelling interviews with women writers, who together create a method suitable for our era of auto-fiction and selfie-awareness. To pull off such a double whammy is no mean achievement. This volume will be a significant resource for anyone interested in life.
The writers featured in Women of Horror and Speculative Fiction in Their Own Words offer great insight into how their various origins and different kinds of lives inspire their writing, and their choice to write horror and speculative fiction. In a series of conversations, a range of women-identifying authors share their insights and motivations as they challenge social conventions through fiction, interrogate the increasing inclusive interpretations of the categories of gender and genre, and in the most dazzling examples demonstrate the power of anger and fired-up libido to forge innovative acts, invented worlds, and new expressions of identity: 'the great thing about horror,' according to Gemma Files, 'is that you can kill everybody . if you want to.' Read this collection, gathered by Doubinsky and Kkona during the strange early years of Corona virus, if you want a rare peek into thought processes of writers of horror and speculative fiction.
Women of Horror and Speculative Fiction achieves two important aims. It tells of how progressive intersectional politics has performed, disguised as 'mere' genre fiction, beneath prescriptions of literariness, whilst unyoking itself from equally prescriptive notions of gender. In horror and speculative fictions, these genre narratives told the Other's story. But the volume also witnesses this telling, not with a sovereign eye, but through 24 compelling interviews with women writers, who together create a method suitable for our era of auto-fiction and selfie-awareness. To pull off such a double whammy is no mean achievement. This volume will be a significant resource for anyone interested in life.
The writers featured in Women of Horror and Speculative Fiction in Their Own Words offer great insight into how their various origins and different kinds of lives inspire their writing, and their choice to write horror and speculative fiction. In a series of conversations, a range of women-identifying authors share their insights and motivations as they challenge social conventions through fiction, interrogate the increasing inclusive interpretations of the categories of gender and genre, and in the most dazzling examples demonstrate the power of anger and fired-up libido to forge innovative acts, invented worlds, and new expressions of identity: 'the great thing about horror,' according to Gemma Files, 'is that you can kill everybody . if you want to.' Read this collection, gathered by Doubinsky and Kkona during the strange early years of Corona virus, if you want a rare peek into thought processes of writers of horror and speculative fiction.