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Wondrous Cross: A meditation based on the traditional Seven Last Words of Christ

Compozitor Alan Bullard
en Limba Engleză Sheet music – 5 ian 2012
for SATB choir and organ or piano, with optional soloists, congregation, and strings (string orchestra, string quintet, or string quartet)Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages, 3 well-known hymns, and settings of 4 well-known sacred texts, including 'Drop, drop, slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir, and strings (quartet, quintet, or ensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically, the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire from the Music Hire Library.
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Specificații

ISBN-13: 9780193379893
ISBN-10: 0193379899
Pagini: 40
Dimensiuni: 214 x 280 x 4 mm
Greutate: 0.13 kg
Ediția:Vocal score
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:OXFORD, United Kingdom

Recenzii

The concept here was to provide something shorter than traditional Passions that the average church choir could attempt with relative ease.
There are many versions of the Seven Last Words but Bullard's, interwoven with well-loved hymns including the title piece, has a satisfying form, dramatic shape and meditative logic that few can match . . . He's a populist, but a highly intelligent and challenging one.
. . . a moving 35-minute meditation on the seven last words of Jesus in 16 short movements. Any church with a good cantor and a modestly capable choir can make a memorable service of it . . . Everything's very appealing and easy on the ear, and the presence of beloved bymns and scriptural passages is sure to foster the sense of sacred nostalgia among congregations that often adds up to meaningful worship.
Bullard's Wondrous Cross is designed for liturgical use or concert performance. Its flexibility is a great merit: the piece can form the basis of a liturgical meditation with opportunities for additional readings, prayer and music, or it can stand alone. A number of performance options enhance its usefulness . . . At about the same level of difficulty for singers and organist as Stainer's Crudfixion, this musically sensitive and attractive work deserves serious consideration by parish choirs for use at Passiontide.
With all the [performance] options explicit in the score, this cantata is an extremely protean piece that conductors can modify to fit their ensemble and performance needs.

Notă biografică

Alan Bullard was born in London and studied with Herbert Howells at the Royal College of Music, and at Nottingham University. He enjoyed a successful career in music education; for many years he was Head of Composition at Colchester Institute, and is currently an examiner for ABRSM. He now devotes most of his time to composing, editing, and arranging. His music unfailingly appeals to both performers and audiences; he has written for all kinds of choirs, and instrumental works for a variety of ensembles and orchestras. Alan is a respected writer of music for examination syllabuses and educational albums. His major publications include the four inspirational Oxford Flexible Choral Anthologies, Alan Bullard Anthems, and the five cantatas Wondrous Cross, O Come Emmanuel, A Light in the Stable, Psalmi Penitentiales, and Images of Peace. He and his wife Janet also write the Pianoworks series for the older beginner.