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World Literature and Hedayat’s Poetics of Modernity: Canon and World Literature

Autor Omid Azadibougar
en Limba Engleză Hardback – 2 feb 2020
This book introduces the canonical figure Sadegh Hedayat (1903–1951) and draws a comprehensive image of a major intellectual force in the context of both modern Persian Literature and World Literature. A prolific writer known for his magnum opus, The Blind Owl (1936), Hedayat established the use of common language for literary purposes, opened new horizons on imaginative literature and explored a variety of genres in his creative career. This book looks beyond the reductive critical tendencies that read a rich and diverse literary profile in light of Hedayat’s suicide, arguing instead that his literary imagination was not solely the result of genius but rather enriched by a vast network of the world’s literary traditions. This study reflects on Hedayat’s attempts at various genres of artistic creation, including painting, fiction writing, satire and scholarly research, as well as his persistent struggles for artistic authenticity, which transcended solidly established literary and artistic norms. Providing a critical reading of Hedayat’s work to untangle aspects of his writing – including reflections on science, religion, nationalism and coloniality – alongside his pioneering work on folk culture, and how humor informs his writings, this text offers a critical review of the status of Persian literature in the contemporary landscape of the world’s literary studies.

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Specificații

ISBN-13: 9789811516900
ISBN-10: 9811516901
Pagini: 203
Ilustrații: XVII, 203 p. 12 illus., 7 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.42 kg
Ediția:1st ed. 2020
Editura: Springer Nature Singapore
Colecția Palgrave Macmillan
Seria Canon and World Literature

Locul publicării:Singapore, Singapore

Cuprins

Persian Literature, World Literature.- A Life of Writing for His Shadow.- Contested Canonization and Literary Recognition.- Dreaming from the Margins.- Intellectual Journeys.- Textual Strategies: Humor, Translation, and Adaptation.- Research, Folklore, and Oral Culture.- Conclusion: Canonization and Literary Dissemination.

Notă biografică

Omid Azadibougar is Professor of Comparative Literature and Translation at Hunan Normal University, China. He is the author of The Persian Novel: Ideology, Fiction and Form in the Periphery (2014) and one of the founding editors of the Journal of World Literature.

Textul de pe ultima copertă

This book introduces the canonical figure Sadegh Hedayat (1903-1951) and draws a comprehensive image of a major intellectual force in the context of both Persian and World Literature. A prolific writer known for his magnum opus, The Blind Owl (1936), Hedayat established the use of common language for literary purposes, opened new horizons on imaginative literature and explored a variety of genres in his creative career. This book looks beyond the reductive tendency to read a rich and diverse literary profile in light of Hedayat’s suicide, arguing instead that his literary imagination was not solely the result of genius but rather enriched by a vast network of the world’s literary traditions. This study reflects on Hedayat's attempts at various genres of artistic creation, including painting, fiction writing, satire and scholarly research, as well as his struggle for artistic authenticity, which transcended solidly established literary and artistic norms. Providing a critical reading of Hedayat's work to untangle aspects of his writing – including reflections on science, religion, nationalism and coloniality – alongside his pioneering work on folk culture, and how humor informs his writings, this text offers a critical review of the status of Persian literature in the contemporary landscape of the world’s literary studies. 

Caracteristici

Introduces the canonical author Sadeq Hedayat and his influence on modern Persian and World literature Offers a critical reading of Hedayat’s literary profile and explores four aspects of Hedayat’s work: translation, fiction writing, folk culture and use of genres Critically reflects on the status of classical Persian literature in the contemporary landscape of the world’s literary studies