Writing and Political Engagement in Seventeenth-Century England
Editat de Derek Hirst, Richard Strieren Limba Engleză Paperback – 17 ian 2009
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Specificații
ISBN-13: 9780521100304
ISBN-10: 0521100305
Pagini: 252
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.37 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
ISBN-10: 0521100305
Pagini: 252
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.37 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
Cuprins
Introduction Derek Hirst and Richard Strier; 1. 'I am Power': normal and magical politics in The Tempest Richard Strier; 2. 'Void of storie': the struggle for insincerity in Herbert's prose and poetry Stanley Fish; 3. Sir Kenelm Digby's rewritings of his life Jackson I. Cope; 4. Thomas Hobbes and the Renaissance studia humanitatis Quentin Skinner; 5. Casuistry and allegiance in the English Civil War Barbara Donagan; 6. Thomas May and the narrative of civil war J. G. A. Pocock; 7. Samuel Parker, Andrew Marvell and political culture, 1667–73 Derek Hirst; 8. Sidney's Discourses on political imagoes and royalist iconography Victoria Silver; Notes; Index.
Recenzii
"Astute new insights...clearly written, thoughtful, and compelling." Renaissance Quarterly
"It amply justifies the editors' claim that old-fashioned formalistic analysis can still provide a valuable tool of historical research. Jackson Cope provides an interesting analysis of the allegorical autobiography of the courtier Sir Kenelm Digby." H-Net Reviews
"This is a thoroughly rewarding collection..." Sixteenth Century Journal
"It amply justifies the editors' claim that old-fashioned formalistic analysis can still provide a valuable tool of historical research. Jackson Cope provides an interesting analysis of the allegorical autobiography of the courtier Sir Kenelm Digby." H-Net Reviews
"This is a thoroughly rewarding collection..." Sixteenth Century Journal
Descriere
This volume, first published in 2000, illuminates the complex issues of 'public' and 'private', 'art' and 'conscience' in the period.