Writing Back to Modern Art: After Greenberg, Fried and Clark
Autor Jonathan Harrisen Limba Engleză Hardback – 29 iun 2005
Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book provides an important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics.
Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.
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Specificații
ISBN-13: 9780415324281
ISBN-10: 0415324289
Pagini: 284
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.61 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415324289
Pagini: 284
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.61 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
UndergraduateCuprins
Introduction; Looking and writing back; Composition and self-composition; Class, glass, and opacity; Modernism, the decay of collective style, and the past of art; . . . Not just interpreters, collaborators’? The subject object; ‘Narcissus looking interminably into the unclean mirror . . .’ 1 Modernism’s modern art 2 Pure formality: 1960s abstract painting 3 Pollock, or ‘abstraction’ 4 Cubism’s complexities 5 The materials of seeing: Cézanne and Van Gogh 6 Modernism’s Manet, Conclusion: ‘post’ script
Notă biografică
Jonathan Harris teaches Art History in the School of Architecture at the University of Liverpool. He has published widely on art and art history, specializing in twentieth-century American art, the rise of the ‘new art history’, and the relations between art history and social theory. His recent publications include Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism (2003) and The New Art History: A Critical Introduction (Routledge, 2001).
Descriere
Studying the art writing and critique of the three leading art writers of the latter twentieth century with focus on canonical modern artists, Harris brings us the first study of its kind to assess the development of modern art writing.