Writing the Pre-Raphaelites: Text, Context, Subtext
Editat de Tim Barringeren Limba Engleză Paperback – 19 oct 2016
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Specificații
ISBN-13: 9781138259485
ISBN-10: 1138259489
Pagini: 276
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138259489
Pagini: 276
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction: Pre-Raphaelite mythologies, Michaela Giebelhausen and Tim Barringer; In a word: Pre-Raphaelite, Pre-Raphaelites, Pre-Raphaelitism, Deborah Cherry; Pre-Raphaelites from rebels to representatives: masculinity, modernity, and national identity in British and Continental art histories, c.1880-1908, Julie F. Codell; 'A soul of the age': Rossetti's words and images, 1848-73, David Peters Corbett; Reconstructing Pre-Raphaelitism: the evolution of William Michael Rossetti's critical position, Julie L'Enfant; The quest for Christ: William Holman Hunt and the writing of artistic motivation, Michaela Giebelhausen; Written out? The case of Ford Madox Brown, William Vaughan; Absent of reference: new languages of nature in the critical responses to Pre-Raphaelite landscapes, Jason Rosenfeld; Poetic, eccentric, Pre-Raphaelite: the critical reception of Simeon Solomon's work at the Dudley Gallery, Colin Cruise; Exhibiting the avant-garde: the development of the Pre-Raphaelite 'brand', Matthew Plampin; Millais in reproduction, Malcolm Warner; Bibliography; Index.
Notă biografică
Dr Michaela Giebelhausen is based at the University of Essex, UK.
Tim Barringer is Paul Mellon Professor in the History of Art at Yale University, USA.
Tim Barringer is Paul Mellon Professor in the History of Art at Yale University, USA.
Recenzii
' ... a highly sophisticated, inventive, scholarly, and desirable collection of essays... With an international line-up of this calibre this book will become de rigeur for anybody working in the field, anybody interested in the Pre-Raphaelites, and anybody interested in the idea of the avant garde in the nineteenth century.' Barrie Bullen, University of Reading, UK
This collection of essays strikes a rarely achieved interpretive balance between Pre-Raphaelite textual and visual production and critical and historical consumption...The essays offer fresh insights...Recommended. Choice
'... an exciting new book on Pre-Raphaelitism...' Cahiers victoriens etuardiens
'The complexities and complicities of art historical practice both frustrating and enriching, which the contributors have identified in engaging with the Pre-Raphaelite legacy, mark a widening of the scholarship area to include not only the work of art and the artist, but also the networks of production, reception and consumption - which constitutes the collection‘s greatest merit.' Pre-Raphaelite Review
This collection of essays strikes a rarely achieved interpretive balance between Pre-Raphaelite textual and visual production and critical and historical consumption...The essays offer fresh insights...Recommended. Choice
'... an exciting new book on Pre-Raphaelitism...' Cahiers victoriens etuardiens
'The complexities and complicities of art historical practice both frustrating and enriching, which the contributors have identified in engaging with the Pre-Raphaelite legacy, mark a widening of the scholarship area to include not only the work of art and the artist, but also the networks of production, reception and consumption - which constitutes the collection‘s greatest merit.' Pre-Raphaelite Review
Descriere
This interdisciplinary collection uncovers the neglected role of the written word in the success of the Pre-Raphaelites. The essays argue that a complex network of texts established the credibility of Pre-Raphaelitism as a radical movement. Detailed case studies reveal how the movement's wide influence derived from the interplay between exhibited works and critical discourse. Pre-Raphaelitism's pioneering avant-garde strategies can claim a central place in the history of nineteenth-century European culture.