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Writings of German Composers: Bach, Mozart, Mendelssohn, Wagner, Brahms, Mahler, Strauss, Weill, and de Jost Hermand

Writings of German Composers: Bach, Mozart, Mendelssohn, Wagner, Brahms, Mahler, Strauss, Weill, and: German Library

Editat de Jost Hermand, James Steakley
en Limba Engleză Paperback – 30 noi 1997

Din seria German Library

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Specificații

ISBN-13: 9780826402936
ISBN-10: 0826402933
Pagini: 304
Dimensiuni: 141 x 209 x 21 mm
Greutate: 0.37 kg
Ediția:Revised.
Editura: Bloomsbury Publishing
Colecția Continuum
Seria German Library

Locul publicării:New York, United States

Cuprins

Introduction: Jost Hermand and James Steakley
 
JOHANN WALTHER (1496-1570)
Foreword to the Revised Edition of the Wittenberg Hymnal
 
HEINRICH SCHÜTZ (1585-1672)
To Elector Johann Goerg I of Saxony
Dedication of Symphoniae sacrae II
 
SAMUEL SCHEIDT (1587-1654)
To Duke August of Brunswick
To Heinrich Baryphonus
 
GEORG PHILIPP TELEMANN (1681-1767)
From the Autobiography
Sonnet on the Deceased Herr Kapellmeister Bach
 
GEORG FRIEDRICH HÄNDEL (1685-1759)
To Johann Mattheson
To King George I of England
To Charles Jennens, Jr.
To Georg Philipp Telemann
 
JOHANN SEBASTIAN BACH (1685-1750)
Dedication of the Brandenburg Concertos
Contract with the Thomaschule
To Georg Erdmann
Dedication of A Musical Offering
 
JOHANN JOACHIM QUANTZ (1697-1773)
How a Performer and a Piece of Music Ought to be Judged
 
JOHANN ADOLF HASSE (1699-1783)
To the Abbé Giovanni Maria Ortes
 
CARL PHILIPP EMANUEL BACH (1714-1788)
Autobiography
 
CHRISTOPH WILLIBALD GLUCK (1714-1787)
Dedication of Alceste
To the Mercure de France
To Friedrich Gottlieb Klopstock
To the Baroness Anna von Fries
To Valentin
 
FRANZ JOSEPH HAYDN (1732-1809)
To Leonore Lechner
To Herr Rott
To Maria Anna von Genzinger
To the Administrator of the Esterházy Estate
To Christoph Gottlob Breitkopf
To the Members of th Bergen Musical Association on Rügen
 
KARL DITTERS VON DITTERSDORF (1739-1799)
From the Autobiography
 
KARL STAMITZ (1746-1801)
To King Friedrich Wilhelm II of Prussia
 
CHRISTIAN GOTTLOB NEEFE (1748-1798)
From the Autobiography
 
WOLFGANG AMADEUS MOZART (1756-1791)
To Archbishop Hieronymus von Colloredo
To Maria Anna Thekla Mozart
To Leopold Mozart
To Leopold Mozart
To Constanze Weber
 
LUDWIG VAN BEETHOVEN (1770-1827)
To Franz Wegeler
The Heiligenstadt Testament
To His "Immortal Beloved"
To Johann Wolfgan von Goethe
 
ERNST THEODOR AMADEUS HOFFMANN (1776-1822)
Beethoven's Instrumental Music
 
LOUIS SPOHR (1784-1859)
From the Autobiography
 
CARL MARIA VON WEBER (1786-1826)
On the Opera Undine by E.T.A. Hoffmann
Autobiography
Essay on Johann Sebastian Bach
 
CARL CZERNY (1791-1857)
From Reminiscences from My Life
 
FRANZ SCHUBERT (1797-1828)
To Franz von Schober and Others
"My Dream," an Allegorical Story
To Franz von Schober
From His Lost Diary
To Emperor Franz II
To Franz von Schober
 
FELIX MENDELSSOHN BARTHOLDY (1809-1847)
To Carl Friedrich Zelter
To the Committee of the Lower Rhine Music Festival
To Marc-André Souchay
 
ROBERT SCHUMANN (1810-1856)
To Friedrich Wieck
"Rage Over the Lost Penny"
Chopin's Piano Concertos
To Clara Wieck
Schubert's Symphony in C
To Felix Mendelssohn Bartholdy
New Paths
 
OTTO NICOLAI (1810-1849)
Some Reflections on Italian Opera in Comparison to German
 
FRANZ LISZT (1811-1886)
To Robert Schumann
To Countess Marie d'Agoult
Visit to Beethoven
 
RICHARD WAGNER (1813-1883)
From "A Pilgrimage to Beethoven"
The Artist and the Public
To Karl Gaillard
From "Opera and Drama"
From His Diary
To Friedrich Nietzsche
 
ANTON BRUCKNER (1824-1896)
To Baron Hans von Wolzogen
 
JOHANNES BRAHMS (1833-1897)
To Clara Schumann
To Marie Lipsius
To Clara Schumann
 
GUSTAV MAHLER (1860-1911)
To the Members of the Budapest Opera House
To Arthur Seidl
To Alma Mahler
To the Members of the Court Opera Company
 
HUGO WOLF (1860-1903)
Opera Etiquette
A Monologue Recalled by Hugo Wolf
Bruckner on Two Pianos
Brahms's Symphony No.4
 
RICHARD STRAUSS (1864-1949)
Is There an Avant-Garde in Music?
To Hugo von Hofmannsthal
On Inspiration in Music
 
FERRUCCIO BUSONI (1866-1924)
Rules for Practicing the Piano
Mozart
 
HANS PFITZNER (1869-1949)
To Bruno Walter
 
ARNOLD SCHÖNBERG (1874-1951)
New Music
My Public
To William S. Schlamm
To Josef Rufer
My Attitude toward Politics
 
ANTON WEBERN (1883-1945)
The Path to Twelve-Note Composition
 
ALBAN BERG (1885-1935)
The Teacher
Postscript Concerning Wozzeck
On Hundredth Anniversary of Franz Schubert's Death
On Mahler's Ninth Symphony
 
PAUL DESSAU (1894-1979)
America
Theodor W. Adorno
Bertolt Brecht
Models
 
PAUL HINDEMITH (1895-1963)
To Gertrude Hindemith
Preface to Elementary Training for Musicians
 
HANNS EISLER (1898-1962)
Ludwig van Beethoven
On Modern Music
Theses
Statement
Statement on Leaving the U.S.A.
Bertolt Brecht and Music
 
KURT WEILL (1900-1950)
Radio and the Restructuing of Musical Life
A Note on Jazz
On teh Composition of The Three-Penny Opera
 
ERNST KRENEK (b. 1900)
That Noise Called Music
America's Influence on Its Émigré Composers
 
WERNER EGK (1901-1983)
On My Irish Legend
 
KARL AMADEUS HARTMANN (1905-1963)
My Yes to Luigi Nono
 
HANS WERNER HENZE (b. 1926)
Music as an Act of Desperation
Opera Belongs to Everyone
Paul Dessau
German Music in the 1940s and 1950s