Cantitate/Preț
Produs
Total produse
Vezi coșul
Xiangsheng and the Emergence of Guo Degang in Contemporary China de Shenshen Cai

Xiangsheng and the Emergence of Guo Degang in Contemporary China

Autor Shenshen Cai, Emily Dunn
en Limba Engleză Paperback – 19 oct 2021
This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means.


Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 37185 lei  6-8 săpt.
  Springer Nature Singapore – 19 oct 2021 37185 lei  6-8 săpt.
Hardback (1) 37713 lei  6-8 săpt.
  Springer Nature Singapore – 18 oct 2020 37713 lei  6-8 săpt.

Preț: 37185 lei

Nou

Puncte Express: 558
Preț estimativ în valută:
7119€ • 7410$ • 5860£

Carte tipărită la comandă

Livrare economică 31 ianuarie-14 februarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9789811581182
ISBN-10: 9811581185
Pagini: 146
Ilustrații: IX, 146 p. 1 illus.
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.21 kg
Ediția:1st ed. 2020
Editura: Springer Nature Singapore
Colecția Palgrave Macmillan
Locul publicării:Singapore, Singapore

Cuprins

Chapter 1. Xiangsheng in the People’s Republic of China, 1949-1976.- Chapter 2. Xiangsheng 1976–2000.- Chapter 3. The revival of Xiangsheng in the new millennium.- Chapter 4. Guo Degang’s counter-official xiangsheng performance.- Chapter 5. Deyun Club holds up half the sky of xiangsheng performance.- Chapter 6. Guo Degang as a grassroots cultural hero.- Chapter 7. Concluding remarks.

Notă biografică

Shenshen Cai is a senior lecturer with Swinburne University of Technology in Australia, teaching Chinese and Chinese culture related courses. She completed her PhD in contemporary Chinese culture studies with the School of Humanities at Griffith University and has a broad research interest in contemporary Chinese literature, film, theatre and folklore studies. Shenshen is the sole author of State Propaganda in China's Entertainment Industry (2016), Television Drama in Contemporary China: Political, Social and Cultural Phenomena (2016) and Contemporary Chinese Films and Celebrity Directors (Palgrave Macmillan 2017), and editor of Female Celebrities in Contemporary Chinese Society (Palgrave Macmillan 2019).
Emily Dunn is a Sessional Lecturer at Swinburne University of Technology, Australia. She is the author of Lightning from the East: Heterodoxy and Christianity in Contemporary China (Brill 2015). Her research articles have also appeared in the journals Modern China and East Asian History, among others. Emily received her PhD from the University of Melbourne’s Asia Institute. Her research interests include celebrity and religion in contemporary China.

Textul de pe ultima copertă

This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means.

Shenshen Cai is a senior lecturer with Swinburne University of Technology in Australia, teaching Chinese and Chinese culture related courses. She completed her PhD in contemporary Chinese culture studies with the School of Humanities at Griffith University and has a broad research interest in contemporary Chinese literature, film, theatre and folklore studies. Shenshen is the sole author of State Propaganda in China's Entertainment Industry (2016), Television Drama in Contemporary China: Political, Social and Cultural Phenomena (2016) and Contemporary Chinese Films and Celebrity Directors (Palgrave Macmillan 2017), and editor of Female Celebrities in Contemporary Chinese Society (Palgrave Macmillan 2019).
Emily Dunn is a Sessional Lecturer at Swinburne University of Technology, Australia. She is the author of Lightning from the East: Heterodoxy and Christianity in Contemporary China (Brill 2015). Her research articles have also appeared in the journals Modern China and East Asian History, among others. Emily received her PhD from the University of Melbourne’s Asia Institute. Her research interests include celebrity and religion in contemporary China.

Caracteristici

Explores the Chinese folk art perfornance genre of Xiangsheng (cross talk) Considers how Chinese actor and comedian Guo Degang how revived interest in the Xiangsheng genre as a means of social criticism and entertainment Examines how Guo has successfully commercialised Xiangsheng in a market economy