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Zofloya: Broadview Literary Texts

Autor Charlotte Dacre Editat de Dr Craciun, Adriana
en Limba Engleză Paperback – 31 mai 1997
Through Victoria, the femme fatale heroine of her powerful Gothic novel, Charlotte Dacre revels in the uninhibited expression of female desire. Anne K. Mellor, UCLA
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Specificații

ISBN-13: 9781551111469
ISBN-10: 1551111462
Pagini: 303
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.32 kg
Ediția:Revised
Editura: Broadview Press
Seria Broadview Literary Texts


Textul de pe ultima copertă

The protagonist of Charlotte Dacre’s best known novel, Zofloya, or the Moor (1806) is unique in women’s Gothic and Romantic literature, and has more in common with the heroines of Sade or M.G. Lewis than with those of Ann Radcliffe, Charlotte Smith or Jane Austen. No heroine of Radcliffe or Austen could exult, as Victoria does in this novel, that “there is certainly a pleasure … in the infliction of prolonged torment.”

The sexual desires and ambition of Dacre’s protagonist, Victoria, drive her to seduce, torture and murder. Victoria is inspired to greater criminal and illicit acts by a seductive Lucifer, disguised as a Moor, before she too is plunged into an abyss by her demon lover. The text’s unusual evocations of the female body and feminine subject are of particular interest in the context of the history of sexuality and of the body; after embarking on a series of violent crimes, Victoria’s body actually begins to grow stronger and decidedly more masculine.

Among the documents included as appendices to this volume are a selection of Dacre’s poetry and excerpts from Bienville’s Nymphomania, a medical treatise of the time aimed at a lay audience that focuses largely on the dangerous powers of women’s imagination; inspired by improper novels, it is alleged that women may plunge into madness, violence and death—much as does the protagonist of Zofloya herself.


Descriere

Descriere de la o altă ediție sau format:
`Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of `Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb. The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cuprins

Introduction; Note on the Text; Select Bibliography; A Chronology of Charlotte Dacre; Engraving of Charlotte Dacre as Rosa Matilda; ZOFLOYA, OR THE MOOR; Appendix; A Note on Names; Explanatory Notes

Notă biografică

Kim Ian Michasiw is Associate Professor of English at York University, Ontario.