A World Full of Animal Stories: World Full of...

Angela McAllister is the author of over 80 books for children and teens. Her books have won several awards, including the Red House Book Award for Yuck! That's Not a Monster! and the Stockport and Portsmouth Awards for My Mum has X-Ray Vision. Her picture book Leon and the Place Between has been adapted for the stage and was shortlisted for the Kate Greenaway Award. She has collaborated with many illustrators, including Grahame Baker-Smith, Alex T. Smith, Margaret Chamberlain, Ross Collins and Peter Bailey. She has worked on many titles for Frances Lincoln Children's Books including bestselling titles A Year Full of Stories and A World Full of Animal Stories.
With over 50K followers on instagram, nomadic illustrator AITCH originally hails from Romania but prefers not to put down roots in any one place; new scenery inspires and invigorates her tactile, folky illustrations and a constant string of exhibitions in cities across the continent pushes her technique further. Her dreamy characters hide amongst William Morris-esque gardens and bring to mind a bright and bold reincarnation of Victorian melancholy while still retaining a strong sense of her Romanian heritage.
Angela McAllister is the author of over 80 books for children and teens. Her books have won several awards, including the Red House Book Award for 'Yuck! That's Not a Monster!' and the Stockport and Portsmouth Awards for 'My Mum has X-Ray Vision'. Her picture book, 'Leon and the Place Between' has been adapted for the stage and was shortlisted for the Kate Greenaway Award. She has collaborated with many illustrators, including Grahame Baker-Smith, Alex T. Smith, Margaret Chamberlain, Ross Collins and Peter Bailey. She has worked on many titles for Frances Lincoln including bestselling titles A Year Full of Stories and A World Full of Animal Stories. Nomadic illustrator AITCH originally hails from Romania but prefers not to put down roots in any one place; new scenery inspires and invigorates her tactile, folky illustrations and a constant string of exhibitions in cities across the continent pushes her technique further. Her dreamy characters hide amongst William Morris-esque gardens and bring to mind a bright and bold reincarnation of Victorian melancholy while still retaining a strong sense of her Romanian heritage.