Acting: The First Six Lessons
Autor Richard Boleslavsky Edith J. R. Isaacsen Limba Engleză Paperback – 12 mar 2013
In his beloved classic, Acting: The First Six Lessons, master acting teacher Richard Boleslavsky presents his acting theory and technique in a lively and accessible narrative form. Widely considered a must-have for beginning as well as established actors, Boleslavsky's work has long helped actors better understand the craft of acting and what it takes to grow as an artist. This enhanced edition includes additional exercises from Samuel Seldon's First Steps in Acting, which provide further opportunity to practice the techniques discussed in Acting: The First Six Lessons.
Richard Boleslavsky's knowledge of the theater was based on an impressive depth and breadth of experience. A member of the Moscow Art Theater and director of its First Studio, he worked in Russia, Germany, and America as an actor, director and teacher. He was a leading Hollywood director in addition to producing plays and musical comedies on Broadway.
If you would like to add the Echo Point Hardcover edition of Acting: The First Six Lessons to your library, please search ISBN 1626549893.
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Specificații
ISBN-13: 9781626549975
ISBN-10: 1626549974
Pagini: 154
Dimensiuni: 127 x 203 x 9 mm
Greutate: 0.17 kg
Editura: Echo Point Books & Media
ISBN-10: 1626549974
Pagini: 154
Dimensiuni: 127 x 203 x 9 mm
Greutate: 0.17 kg
Editura: Echo Point Books & Media
Notă biografică
Richard Boleslawski (born Boles¿aw Ryszard Srzednicki; February 4, 1889 - January 17, 1937) was a Polish theatre and film director, actor and teacher of acting.
Cuprins
Acting: The First Six Lessons, Richard Boleslavsky; Part 1 The First Lesson; Part 2 The Second Lesson; Part 3 The Third Lesson; Part 4 The Fourth Lesson; Part 5 The Fifth Lesson; Part 6 The Sixth Lesson; Part 7 The “Creative Theatre” Lectures; Part 8 What is the Theatre?; Part 9 What is a Play?; Part 10 What is the Audience?; Part 11 What is an Actor?; Part 12 What is a Theatrical Designer?; Part 13 What is a Theatrical Composer?; Part 14 What is a Collective Work in a Theatre?; Part 15 What is a Theatrical Performance?; Part 16 What is a Mechanical Performance?; Part 17 What is a Creative Theatrical Performance?; Part 18 The Qualifications of a Creative Actor; Part 19 What is the Meaning of “Living the Part ?”; Part 20 What is “Spiritual Concentration?”; Part 21 What is the Spiritual or Affective Memory?; Part 22 How to Use the Affective Memory in Preparing a Part; Part 23 Boleslavsky Lectures from theAmerican Laboratory Theatre; Part 24 Lecture 3; Part 25 Lecture 5; Part 26 Lesson 6; Part 27 Lecture 7; Part 28 Lesson 8; Part 29 Lesson 9; Part 30 Lecture 10; Part 31 Lecture 11; Part 32 Notes on Acting with Maria Ouspenskaya; Part 33 October 1954; Part 34 November 1954; Part 35 December 1954; Part 36 January 1955;
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A key text for drama students today. These dramatic dialogues between the teacher and ‘The Creature’ – an idealistic student - explore the ‘craft’ of acting according to one of the godfathers of method acting. Now with a new introduction and bibliography.
"This enhanced edition gives the reader an opportunity to explore the craft of acting, improve acting technique, and increase appreciation of good theater practice. It also offers a valuable historical perspective on the birth and evolution of the American acting process in the early 20th century."
CHOICE, Jan 2011
A key text for drama students today. These dramatic dialogues between the teacher and ‘The Creature’ – an idealistic student - explore the ‘craft’ of acting according to one of the godfathers of method acting. Now with a new introduction and bibliography.
"This enhanced edition gives the reader an opportunity to explore the craft of acting, improve acting technique, and increase appreciation of good theater practice. It also offers a valuable historical perspective on the birth and evolution of the American acting process in the early 20th century."
CHOICE, Jan 2011