Lewis Carroll is a pen-name: Charles Lutwidge Dodgson was the author's real name and he was lecturer in Mathematics in Christ Church, Oxford. Dodgson began the story on 4 July 1862, when he took a journey in a rowing boat on the river Thames in Oxford together with the Reverend Robinson Duckworth, with Alice Liddell (ten years of age) the daughter of the Dean of Christ Church, and with her two sisters, Lorina (thirteen years of age), and Edith (eight years of age). As is clear from the poem at the beginning of the book, the three girls asked Dodgson for a story and reluctantly at first he began to tell the first version of the story to them. There are many half-hidden references made to the five of them throughout the text of the book itself, which was published finally in 1865. The text for this edition is based on the text established on the basis of Selwyn Goodacre's version of Lewis Carroll's final revised text of 1897; Goodacre's edition is augmented "with certain corrections, and elimination of errors". To that text a number of further alterations have been made in order to correct some inconsistencies which remained, or which were introduced, in Carroll's final revised text. Citește tot Restrânge
Charles Lutwidge Dodgson (1832 - 1898), better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky" and the poem The Hunting of the Snark - all examples of the genre of literary nonsense. He is noted for his facility at word play, logic and fantasy. There are societies in many parts of the world dedicated to the enjoyment and promotion of his works and the investigation of his life.
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Go down the rabbit hole with Alice in this brand-new edition of Lewis Carroll's classic stories, Alice's Adventures in Wonderland and Through the Looking-Glass.
Produced in association with the UK's National Gallery, this handsome new hardback edition's dustjacket features artwork from the gallery's collection and includes expert notes on the art. The image is A Girl with a Kitten, probably by Jean-Baptiste Perroneau – an idealised portrait of a young girl with her pet which evokes Alice and her cat Dinah.
Featuring the full original text of both Alice's Adventures in Wonderland and Through the Looking-Glass, this striking edition is the ideal gift for anyone who loves the characters, wit and sublime silliness of Alice's adventures.
This volume is part of the new Masterpiece Classics series from Welbeck, which includes The Jungle Books.
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New
cover
Cuprins
Chapter - 1: Down the Rabbit-Hole Chapter - 2: The Pool of Tears Chapter - 3: A Caucus-Race and a Long Tale Chapter - 4: The Rabbit Sends in a Little Bill Chapter - 5: Advice from a Caterpillar Chapter - 6: Pig and Pepper Chapter - 7: A Mad Tea-Party Chapter - 8: The Queen's Croquet-Ground Chapter - 9: The Mock Turtle's Story Chapter - 10: The Lobster-Quadrille Chapter - 11: Who Stole the Tarts? Chapter - 12: Alice's Evidence
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Published to coincide with a revival at the Polka Theatre, Wimbledon, from 22 November 2013 to 15 February 2014. The Polka is a theatre dedicated to theatre for children, and this production will be directed by family theatre specialist Rosamond Hutt.
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[Former director/designer Melly] Still and Reade boldly resist temptations to create a cute, fluffy, Disneyfied landscape, instead embracing the physical limitations of theatre as a catalyst for the audience's collective imagination . . . It's a fresh, idiosyncratic pleasure.
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"What is the use of a book," thought Alice, "without pictures?" For over 125 years John Tenniel's superb illustrations for Alice's Adventures in Wonderland have been the perfect complement to Lewis Carroll's timeless story. In that time Alice has been illustrated by numerous artists, but not one has come close to matching the universal appeal of the original pictures. This is the first Alice to reproduce Ternniel's exquisite drawings from prints taken directly from the original wood engravings. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible. Like most nineteenth-century children's books, the pictures for Alice were created by transferring the artist's drawings to woodblocks, But with Alice, the original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during printing, and over time, many of the fine lines in Tenniel's pictures simply vanished altogether.As the year-, passed, the original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault. Now, for the first time, prints from these woodblocks have been used to produce a deluxe gift edition with clearer, more detailed images than have ever been seen before. At last, readers can see the Alice that Carroll and Tenniel had originally envisioned.