Alice's Adventures in Wonderland: Collins Classics

New cover

Chapter - 1: Down the Rabbit-Hole Chapter - 2: The Pool of Tears Chapter - 3: A Caucus-Race and a Long Tale Chapter - 4: The Rabbit Sends in a Little Bill Chapter - 5: Advice from a Caterpillar Chapter - 6: Pig and Pepper Chapter - 7: A Mad Tea-Party Chapter - 8: The Queen's Croquet-Ground Chapter - 9: The Mock Turtle's Story Chapter - 10: The Lobster-Quadrille Chapter - 11: Who Stole the Tarts? Chapter - 12: Alice's Evidence

Published to coincide with a revival at the Polka Theatre, Wimbledon, from 22 November 2013 to 15 February 2014. The Polka is a theatre dedicated to theatre for children, and this production will be directed by family theatre specialist Rosamond Hutt.

[Former director/designer Melly] Still and Reade boldly resist temptations to create a cute, fluffy, Disneyfied landscape, instead embracing the physical limitations of theatre as a catalyst for the audience's collective imagination . . . It's a fresh, idiosyncratic pleasure.

"What is the use of a book," thought Alice, "without pictures?"
For over 125 years John Tenniel's superb illustrations for Alice's Adventures in Wonderland have been the perfect complement to Lewis Carroll's timeless story. In that time Alice has been illustrated by numerous artists, but not one has come close to matching the universal appeal of the original pictures.
This is the first Alice to reproduce Ternniel's exquisite drawings from prints taken directly from the original wood engravings. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible.
Like most nineteenth-century children's books, the pictures for Alice were created by transferring the artist's drawings to woodblocks, But with Alice, the original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during printing, and over time, many of the fine lines in Tenniel's pictures simply vanished altogether.As the year-, passed, the original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault.
Now, for the first time, prints from these woodblocks have been used to produce a deluxe gift edition with clearer, more detailed images than have ever been seen before. At last, readers can see the Alice that Carroll and Tenniel had originally envisioned.