American Drama: In Dialogue, 1714-Present
Autor Jacqueline Foertschen Limba Engleză Paperback – 23 mai 2017
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Specificații
ISBN-13: 9781137605276
ISBN-10: 1137605278
Pagini: 291
Ilustrații: 15 bw illus
Dimensiuni: 155 x 235 x 16 mm
Greutate: 0.43 kg
Ediția:1st ed. 2017
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 1137605278
Pagini: 291
Ilustrații: 15 bw illus
Dimensiuni: 155 x 235 x 16 mm
Greutate: 0.43 kg
Ediția:1st ed. 2017
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Caracteristici
Encourages students to challenge the popular assumptions that American playwrights wrote inside a vacuum of national self-consciousness, and that American drama is not worth considering before the early twentieth century
Notă biografică
Jacqueline Foertsch is Professor of English at the University of North Texas, USA. She has published widely on American drama, novels and films.
Cuprins
PrefaceSECTION I: UN-AMERICAN ORIGINS (1714-1798)Transatlantic Touchstone: Richard Brinsley Sheridan,The School for Scandal(1777)Robert Hunter, Androboros(1714) Royal Tyler,The Contrast(1787)William Dunlap, André(1798)Drama in Dialogue: The Contrastand AndréSECTION II: THE RISE OF MELODRAMA (1798-1870)Transatlantic Touchstone: RenéCharles de Pixérécourt, Coelina, or the Child of Mystery(1800)James Nelson Barker, The Indian Princess(1808)John August Stone, Metamora, or the Last of the Wampanoags(1829)Drama in Dialogue: The Indian Princess and MetamoraWilliam Henry Smith, The Drunkard(1844)Anna Cora Mowatt,(1845)Thomas L. Aiken, Uncle Tom's Cabin(1852)Dion Boucicault,The Octoroon(1859)Drama in Dialogue: Uncle Tom's Cabin and The OctoroonSECTION III: AN EXPLOSION OF ENTERTAINMENTS - AND THE EMERGENCE OF REALISM (1870-1916)Transatlantic Touchstone: Henrik Ibsen, A Doll's House(1879)Sam T. Jack, Beauty in Dreamland, or The Pearls of the Orient (1889)James A. Herne, Margaret Fleming(1890)Eugene Walter, The Easiest Way(1908)Drama in Dialogue: Margaret Fleming and The Easiest WaySECTION IV: O'NEILL, HIS COHORT, AND THE LEGITIMATE STAGE BETWEEN THE WARS (1916-1945)Transatlantic Touchstone: Georg Kaiser, From Morn Til Midnight(1912, 1917)Susan Glaspell, Trifles(1916)Elmer Rice, The Adding Machine(1923)Sophie Treadwell, Machinal(1928)Drama in Dialogue: The Adding Machine and MachinalLillian Hellman, The Children's Hour(1934)Clifford Odets, Waiting for Lefty(1935)Thornton Wilder, A Streetcar Named Desire(1947)Arthur Miller, Death of a Salesman(1949)William Inge, Come Back, Little Sheba(1950)Lorraine Hansberry, A Raisin in the Sun(1959)Drama in Dialogue: Death of a Salesman andA Raisin in the SunSECTION VI: ALBEE, OTHERS, AND THE AMERICAN ABSURDIST TRADITION (1959-1980)Transatlantic Touchstone: Samuel Beckett, Endgame (1957)Edward Albee, Zoo Story(1959)Amiri Baraka, Dutchman (1964)Drama in Dialogue: Zoo Story and DutchmanJohn Guare,House of Blue Leaves(1971)Maria Irene Fornés, Fefu and her Friends(1977)Sam Shepard, Buried Child (1978)Drama in Dialogue: House of Blue Leaves and Buried ChildSECTION VII: DIVERSITY AND SOCIAL CHANGE (1980-present)Transatlantic Touchstone: Athol Fugard, Blood Knot(1961)David Henry Hwang, FOB(1981)William S. Yellow Robe, Jr., The Independence of Eddie Rose(1986)August Wilson, Fences(1987)Drama in Dialogue: Death of a Salesman and FencesDavid Mamet, Oleanna(1992)Tony Kushner, Angels in America: A Gay Fantasia on National Themes(1993)Paula Vogel, How I Learned to Drive(1997)Suzan Lori Parks, Topdog/Underdog(2001)Drama in Dialogue: Angels in America and Topdog/UnderdogNilo Cruz,Anna in the Tropics(2002)Neil Labute, Fat Pig(2004)Drama in Dialogue Oleanna and Fat PigJohn Patrick Shanley, Doubt(2004)Sarah Ruhl, Dead Man's Cell Phone & gt;(2007)Lin-Manuel Miranda,Hamilton(2015).