Animals in Eden: The Fall of Man in the Early Modern Art and Literature of Germany and the Low-Countries: Brill’s Studies on Art, Art History, and Intellectual History, cartea 81
Autor Paul J. Smithen Limba Engleză Hardback – 11 dec 2024
Din seria Brill’s Studies on Art, Art History, and Intellectual History
- 18% Preț: 840.12 lei
- 18% Preț: 760.10 lei
- 18% Preț: 1037.56 lei
- 18% Preț: 832.79 lei
- 18% Preț: 799.01 lei
- 18% Preț: 798.18 lei
- 15% Preț: 525.04 lei
- 15% Preț: 448.17 lei
- 18% Preț: 704.26 lei
- 18% Preț: 804.72 lei
- 18% Preț: 704.26 lei
- 18% Preț: 753.69 lei
- 18% Preț: 793.23 lei
- 18% Preț: 653.81 lei
- 18% Preț: 753.69 lei
- 18% Preț: 541.53 lei
- 18% Preț: 755.69 lei
- 18% Preț: 1008.33 lei
- 18% Preț: 654.81 lei
Preț: 646.03 lei
Preț vechi: 787.85 lei
-18% Nou
Puncte Express: 969
Preț estimativ în valută:
123.63€ • 130.06$ • 103.16£
123.63€ • 130.06$ • 103.16£
Carte nepublicată încă
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9789004184602
ISBN-10: 9004184600
Pagini: 248
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
ISBN-10: 9004184600
Pagini: 248
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
Notă biografică
Paul J. Smith is Professor Emeritus of French literature at Leiden University. He has published on French literature and on early modern natural history in relation to the visual arts, and he co-edited Ichthyology in Context (1500-1880), (Brill, 2024).
Cuprins
Preface and Acknowledgements
List of Illustrations
Abbreviations
Introduction
1 Reading and Painting God’s Book of Words and Book of Nature
1 Animals in Genesis
2 Biblical Typology
3 Early Modern Natural History – Conrad Gessner
4 Sympathy and Antipathy
5 The Four Elements
6 Physiologus and Bestiaries
7 Illustrated Fable Books and the Gheeraerts Filiation
8 Imitation
2 Rereading Dürer’s Representations of the Fall of Man
1 Introduction
2 Serpent, Stag, and Lion in Dürer’s 1510 Drawing
3 The Animals in the 1504 Print
4 Badger and Bison in the 1510 Woodcut
5 Conclusion
3 Cranach’s Animals
1 Cranach’s 1509 Woodcut
2 The 1526 Courtauld Painting
3 A Lesser Known Adam and Eve
4 Conclusion
4 Simon de Myle: Bible, Fable, and Natural History
1 Imitating Gheeraerts and Gessner
2 De Myle as Critical Imitator of Gheeraerts
3 De Myle Reading Gessner
4 Arrangement of Animals
5 In Conclusion: Metapictorial Reflections
Appendix
5 Cornelis van Haarlem: Eden’s Animals in Aesopian Perspective
6 Du Bartas’ Fifth Day: Birds in the Perspective of Natural History and Biblic’al Typology
1 Du Bartas, His Semaines and Their Afterlife
2 Du Bartas: Natural History
3 Ordering and Antipathy
4 The Birds in the Seconde Semaine
5 Maerten de Vos and the Fifth Day
7 Jan Brueghel the Elder’s First Paradise Landscape (1594)
1 Imitating Bassano Differentially
2 Sympathy and Antipathy
3 The Aesopian Connection
4 Natural History
5 Conclusion
8 Sympathy in Eden: On Paradise with the Fall of Man by Rubens and Brueghel
1 A Multitude of Diverse Animals
2 Rubens’ Red Creatures
3 The Other Animals around Adam and Eve
4 Other Animals
5 The White Animals in the Distance
6 Conclusions
Appendix
9 Eden’s Animals in Rembrandt and Vondel
1 Rembrandt’s Dragon and Elephant
2 Vondel’s Dragon
3 Sympathy and Antipathy in Adam in ballingschap
4 Conclusion
10 By Way of Conclusion: Lines of Imitation and the Animal Turn
1 Wtewael’s Eden
2 An Animal Turn in Eden?
General Bibliography
Index nominum
Index of Animals
List of Illustrations
Abbreviations
Introduction
1 Reading and Painting God’s Book of Words and Book of Nature
1 Animals in Genesis
2 Biblical Typology
3 Early Modern Natural History – Conrad Gessner
4 Sympathy and Antipathy
5 The Four Elements
6 Physiologus and Bestiaries
7 Illustrated Fable Books and the Gheeraerts Filiation
8 Imitation
2 Rereading Dürer’s Representations of the Fall of Man
1 Introduction
2 Serpent, Stag, and Lion in Dürer’s 1510 Drawing
3 The Animals in the 1504 Print
4 Badger and Bison in the 1510 Woodcut
5 Conclusion
3 Cranach’s Animals
1 Cranach’s 1509 Woodcut
2 The 1526 Courtauld Painting
3 A Lesser Known Adam and Eve
4 Conclusion
4 Simon de Myle: Bible, Fable, and Natural History
1 Imitating Gheeraerts and Gessner
2 De Myle as Critical Imitator of Gheeraerts
3 De Myle Reading Gessner
4 Arrangement of Animals
5 In Conclusion: Metapictorial Reflections
Appendix
5 Cornelis van Haarlem: Eden’s Animals in Aesopian Perspective
6 Du Bartas’ Fifth Day: Birds in the Perspective of Natural History and Biblic’al Typology
1 Du Bartas, His Semaines and Their Afterlife
2 Du Bartas: Natural History
3 Ordering and Antipathy
4 The Birds in the Seconde Semaine
5 Maerten de Vos and the Fifth Day
7 Jan Brueghel the Elder’s First Paradise Landscape (1594)
1 Imitating Bassano Differentially
2 Sympathy and Antipathy
3 The Aesopian Connection
4 Natural History
5 Conclusion
8 Sympathy in Eden: On Paradise with the Fall of Man by Rubens and Brueghel
1 A Multitude of Diverse Animals
2 Rubens’ Red Creatures
3 The Other Animals around Adam and Eve
4 Other Animals
5 The White Animals in the Distance
6 Conclusions
Appendix
9 Eden’s Animals in Rembrandt and Vondel
1 Rembrandt’s Dragon and Elephant
2 Vondel’s Dragon
3 Sympathy and Antipathy in Adam in ballingschap
4 Conclusion
10 By Way of Conclusion: Lines of Imitation and the Animal Turn
1 Wtewael’s Eden
2 An Animal Turn in Eden?
General Bibliography
Index nominum
Index of Animals