Art and the Arab Spring: The Global Middle East
Autor Siobhan Shiltonen Limba Engleză Paperback – 20 iun 2024
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 230.09 lei 3-5 săpt. | +14.80 lei 7-13 zile |
| Cambridge University Press – 20 iun 2024 | 230.09 lei 3-5 săpt. | +14.80 lei 7-13 zile |
| Hardback (1) | 638.22 lei 6-8 săpt. | |
| Cambridge University Press – 7 iul 2021 | 638.22 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781108829366
ISBN-10: 1108829368
Pagini: 262
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.39 kg
Editura: Cambridge University Press
Seria The Global Middle East
ISBN-10: 1108829368
Pagini: 262
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.39 kg
Editura: Cambridge University Press
Seria The Global Middle East
Cuprins
Introduction. Exceeding Icons of Revolution in North Africa and the Eastern Mediterranean; 1. Aesthetics of Revolution and Infra-thin Critique; 2. Contingency and Resistance: Exceeding Icons through Matter and Motion; 3. Contingent Encounters: Artists, Artisans and Amateurs; 4. Corporeal Resistance and Aesthetics of the Interface; Conclusion. Art and Revolution: Aesthetics and Approaches.
Recenzii
'Shilton maps the post revolutionary artistic outpouring in Tunisia while making eclectic forays into the art scene in Egypt, Libya and Syria. This is a fine contribution to the burgeoning study of art and the aesthetics of revolt in Tunisia and the Arab world writ large.' Nouri Gana, University of California
'An excellent analysis of artistic practices vis-à-vis the revolutions in Tunisia and the Arab world during and after the Arab Spring. A remarkably articulated book, it offers multidisciplinary approaches that cross theory and practice, providing an exceptionally rich source for those studying contemporary art of the MENA region. Through detailed historical evidence and close scrutiny of a range of artworks from photography, video, installation, graffiti to participatory projects, Shilton shows us how art elicits the notion of revolution and suggests alternative approaches as critical tools that create a multi-faceted aesthetics of resistance.' Hamid Keshmirshekan, School of Oriental and African Studies, University of London
'Analytically rich and theoretically compelling, this book provides a captivating window into a world of making, creating and resisting, by Tunisian artists and demonstrates how art is a necessary tool for social change.' Nama Khalil, Columbus College of Art and Design
'This fascinating book marks a highly erudite yet eminently readable exploration of the intersection between Euro-Americana and Arab discourses of aesthetic analysis and the importance of such comprehensive trans-cultural and -epistemological analyses provide the best method for understanding the relationship between artistic production and political activism during Arab uprisings era. Shilton's focus on the contingent and multi-layered dynamics of the relationship offers scholars a new and much needed and indeed necessary template for studying - and for some participating in - the ongoing struggles for social and political change across the region.' Mark LeVine, University of California, Irvine
'A careful analysis of what could constitute a new aesthetic born out of the art practices of the revolutions of the Arab Spring. Shilton's approach sheds light on the way in which the phenomenon of the revolution was experienced and felt in each locality, avoiding a postcolonial approach that would have schematized the different aesthetic experiences by subjecting them to a Western conception of contemporary art or by giving them a neo-orientalist connotation. An original approach that reveals the diversity of the young artistic scene in the Arab world.' Rachida Triki, Université de Tunis
'An excellent analysis of artistic practices vis-à-vis the revolutions in Tunisia and the Arab world during and after the Arab Spring. A remarkably articulated book, it offers multidisciplinary approaches that cross theory and practice, providing an exceptionally rich source for those studying contemporary art of the MENA region. Through detailed historical evidence and close scrutiny of a range of artworks from photography, video, installation, graffiti to participatory projects, Shilton shows us how art elicits the notion of revolution and suggests alternative approaches as critical tools that create a multi-faceted aesthetics of resistance.' Hamid Keshmirshekan, School of Oriental and African Studies, University of London
'Analytically rich and theoretically compelling, this book provides a captivating window into a world of making, creating and resisting, by Tunisian artists and demonstrates how art is a necessary tool for social change.' Nama Khalil, Columbus College of Art and Design
'This fascinating book marks a highly erudite yet eminently readable exploration of the intersection between Euro-Americana and Arab discourses of aesthetic analysis and the importance of such comprehensive trans-cultural and -epistemological analyses provide the best method for understanding the relationship between artistic production and political activism during Arab uprisings era. Shilton's focus on the contingent and multi-layered dynamics of the relationship offers scholars a new and much needed and indeed necessary template for studying - and for some participating in - the ongoing struggles for social and political change across the region.' Mark LeVine, University of California, Irvine
'A careful analysis of what could constitute a new aesthetic born out of the art practices of the revolutions of the Arab Spring. Shilton's approach sheds light on the way in which the phenomenon of the revolution was experienced and felt in each locality, avoiding a postcolonial approach that would have schematized the different aesthetic experiences by subjecting them to a Western conception of contemporary art or by giving them a neo-orientalist connotation. An original approach that reveals the diversity of the young artistic scene in the Arab world.' Rachida Triki, Université de Tunis