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Art of the Cut: Conversations with Film and TV Editors de Steve Hullfish

Art of the Cut: Conversations with Film and TV Editors

Autor Steve Hullfish
en Limba Engleză Hardback – 7 mar 2017
Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe. Included in the discussion are the winners of more than a dozen Oscars for Best Editing and the nominees of more than forty, plus numerous Emmy winners and nominees. Together they have over a thousand years of editing experience and have edited more than a thousand movies and TV shows.
Hullfish carefully curated over a hundred hours of interviews, organizing them into topics critical to editors everywhere, generating an extended conversation among colleagues. The discussions provide a broad spectrum of opinions that illustrate both similarities and differences in techniques and artistic approaches. Topics include rhythm, pacing, structure, storytelling and collaboration.
Interviewees include Margaret Sixel (Mad Max: Fury Road), Tom Cross (Whiplash, La La Land), Pietro Scalia (The Martian, JFK), Stephen Mirrione (The Revenant), Ann Coates (Lawrence of Arabia, Murder on the Orient Express), Joe Walker (12 Years a Slave, Sicario), Kelley Dixon (Breaking Bad, The Walking Dead), and many more.
Art of the Cut also includes in-line definitions of editing terminology, with a full glossary and five supplemental web chapters hosted online at www.routledge.com/cw/Hullfish. This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals. The book’s accessible language and great behind-the-scenes insight makes it a fascinating glimpse into the art of filmmaking for all fans of cinema.
Please access the link below for the book's illustration files. Please note that an account with Box is not required to access these files:
https://informausa.app.box.com/s/plwbtwndq4wab55a1p7xlcr7lypvz64c
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Specificații

ISBN-13: 9781138238657
ISBN-10: 1138238651
Pagini: 304
Ilustrații: 50
Dimensiuni: 152 x 229 x 23 mm
Greutate: 1.2 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Professional, Professional Practice & Development, and Undergraduate

Cuprins

Acknowledgments
Introduction
Film Editor Biographies
1. PROJECT ORGANIZATION
    Cards on a Wall
    Project Organization
    Scene Bin Organization
    Scene Bin Organization with JPEG Markers
    Selects or KEM Rolls
   Sequence Organization
   Organizing a Timeline Layout
   ScriptSync
2. APPROACH TO A SCENE
   Screening Dailies (Rushes)
   Watching Dailies Backwards
   Finding a Starting Place
   Fast and Rough to Start
   Using Select Reels
  3. PACING AND RHYTHM
   Pacing is Musical
   What Determines Pacing?
   Letting it Breathe
   Pacing Due to Screen Size
   4. STRUCTURE
   Length of First Assembly
   Working the First Assembly
   Hitting Beats
   Structure
   Intercutting
   Killing Your Babies and Eliminating Shoe Leather
   Screening
   First Assembly in TV
5. STORYTELLING
    Editing is Foundational to Storytelling
   Speaking into the Script
   Character
   Perspective
   Structure
   A Student of Story
 6. PERFORMANCE
   Editing as Stewardship
   Finding the Performance
   Performance That Tells the Story
   Shaping Performance
   Editing Bracketed Performances
   Using Audio from Different Takes Than Picture
   Split Screen: The Invisible Weapon
   Performance Needs Context
7. SOUND DESIGN
   Sound to Sell Visual Edits
   Selling the Environment
   Collaboration with Sound Team and Assistants
   ADR (Automated Dialogue Replacement)
8. MUSIC
  The Purpose of Temp Music
   Choosing Temp Music
   Cutting Without Temp
   Songs and Diegetic or "Source" Music
   Temping a Franchise Film
   Using Score
9. COLLABORATION
   Landing the Gig
   Styles of Collaboration
   Notes
   Social Skills
   Don’t Edit the Way You Think the Director Wants
   TV’s Collaborative Environment
10. DOCUMENTARY
   Schedule
  Approaching the Material
  ScriptSync
   Shot Selection
   Pacing and Rhythm
   Structure
   Sound Design
   Music
   Collaboration
   Notes and Revisions
   Miscellaneous Documentary Wisdom
11. MISCELLANEOUS WISDOM
   How Did You Break Into the Business?
   Emotion
   Geography
   Learn From Your Mistakes
   How Do You Judge the Editing of Others?

Notă biografică

Steve Hullfish is a feature film and TV editor with credits including, "Courageous," "War Room," "Champion" and the theatrically-released feature documentary, "Clinton Inc." Hullfish is the author of five other books, including The Art and Technique of Digital Color Correction and Avid Uncut. Hullfish also trains editors and colorists around the world.

Recenzii

"The greats like Schoonmaker and (the late) Coates are here. But so are the current blockbuster cutters like Eddie Hamilton . . . their methods and style are as individual as the individual themselves. And you as a reader will find yourself muttering ‘Absolutely’ or ‘Nope…that does not work for me.’ And you find yourself seated at the table as this masterclass is going on. And it’s a really big freakin’ table."
—Book Review, by Jonathan Dowler, Canadian Cinema Editors
"Steve Hullfish has interwoven great swathes of interview and made them flow like a well-constructed movie. You get concentrated information fired at you from the most eclectic, dynamic range of editors from all genres, mediums and nationalities . . . Most editors, when asked how they do what they do (a question we are all perhaps a little tired of now) answer ‘Instinct!’ This marvellous book is the first I’ve read (sourced from many horses’ mouths rather than books written from a single perspective) to refute that. There are concrete techniques to learn here as well as aesthetic considerations that stay our hand or entice an ‘I’ and an ‘O’ on a favoured shot. There is something for every editor on every page whether they’re new to the industry or, like myself, with many decades behind me."
—Book Review by Alan Miller, GBFTE’s First Frame, Spring 2018
Art of the Cut may indeed be the essential tool for the cutting room. Here is a reference where you can immediately see how our contemporaries deal with the complexities of editing a film. In a very organized manner he guides the reader through approaching the scene, pacing and rhythm, structure, storytelling, performance, sound design and music. I am placing this book on my shelf of editing books and I urge others to do the same.
—Jack Tucker, ACE
"In addition to having ready access to the experiences of so many editors in one volume, the book also makes great use of its formatting, structure and layout to enhance the learning experience and make sure you take away some practical wisdom."
—Jonny Elwyn, Film Editor

Descriere

Art of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe.