Balanchine and the Lost Muse: Revolution and the Making of a Choreographer
Autor Elizabeth Kendallen Limba Engleză Paperback – 8 iul 2015
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Specificații
ISBN-13: 9780190227944
ISBN-10: 019022794X
Pagini: 304
Ilustrații: 30 b/w halftones
Dimensiuni: 234 x 155 x 25 mm
Greutate: 0.45 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 019022794X
Pagini: 304
Ilustrații: 30 b/w halftones
Dimensiuni: 234 x 155 x 25 mm
Greutate: 0.45 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Kendall's portrait of Balanchine's first twenty years will now be the standard reference for this period ... Balanchine and the Lost Muse is a breathtaking conversation with [Balanchine himself].
[T]he larger portrait she paints, of two curious, forward-looking artists forged in the same fires, is worth spending some time with.
As a meditation on history and art, 'Balanchine & the Lost Muse' proves to be a bravura performance. Ms. Kendall, who knows both Russia and Russian well, offers some of the loveliest prose in recent dance writing.
[H]er history of ballet in the early post-Revolutionary period is very valuable, as Balanchine told us little about his youth.
The book reads like a detective novel, but has pages of luminous writing about the choreographer and his ballet."
Elizabeth Kendall has unearthed the world of Balanchine's childhood. For this alone we owe her a great debt... [H]er book is not only a portrait of Balanchine's youth, it is a portrait of Russia in collapse - of the world that was dying as Balanchine was coming of age.
There is no doubt that Balanchine and the Lost Muse is the last word on this period of Balanchine's life
'Fascinating' is the word for this ground-breaking account of Balanchine's formative years, infused with tenderness, brio, wit and compassionate insight. Elizabeth Kendall is one of our foremost dance critics and historians, and she has outdone herself here, capturing, via original research, dazzling descriptions and acute syntheses, the sensual color and flavor of that lost, magical milieu."-Phillip Lopate
Balanchine and the Lost Muse reveals more about the choreographer's early life than any previous book. With skill and imagination, Elizabeth Kendall peels away the layers of a complicated, unhappy family life, shows us an adolescent fired with idealism for his chosen art, and evokes the memories of dances and dancers - like the ballerina muse Lidia Ivanova, who died only days before he left Russia - that haunted his choreography for decades.
In this beautifully written and extensively researched account of Balanchine's early years and the mysterious and untimely death of ballerina Lidia Ivanova, Elizabeth Kendall recreates an era and gives us new insight into Balanchine the genius and innovator, and by anchoring her narrative firmly in a larger political and historical context, gives us an invaluable picture of the Russian cultural scene at the beginning of the last century. Required reading for anyone interested in one of ballet's great masters or simply fans of first-rate, flawless writing.
Kendall's ability to breathe life into characters and situations is one of the main pleasures of the book
[T]he larger portrait she paints, of two curious, forward-looking artists forged in the same fires, is worth spending some time with.
As a meditation on history and art, 'Balanchine & the Lost Muse' proves to be a bravura performance. Ms. Kendall, who knows both Russia and Russian well, offers some of the loveliest prose in recent dance writing.
[H]er history of ballet in the early post-Revolutionary period is very valuable, as Balanchine told us little about his youth.
The book reads like a detective novel, but has pages of luminous writing about the choreographer and his ballet."
Elizabeth Kendall has unearthed the world of Balanchine's childhood. For this alone we owe her a great debt... [H]er book is not only a portrait of Balanchine's youth, it is a portrait of Russia in collapse - of the world that was dying as Balanchine was coming of age.
There is no doubt that Balanchine and the Lost Muse is the last word on this period of Balanchine's life
'Fascinating' is the word for this ground-breaking account of Balanchine's formative years, infused with tenderness, brio, wit and compassionate insight. Elizabeth Kendall is one of our foremost dance critics and historians, and she has outdone herself here, capturing, via original research, dazzling descriptions and acute syntheses, the sensual color and flavor of that lost, magical milieu."-Phillip Lopate
Balanchine and the Lost Muse reveals more about the choreographer's early life than any previous book. With skill and imagination, Elizabeth Kendall peels away the layers of a complicated, unhappy family life, shows us an adolescent fired with idealism for his chosen art, and evokes the memories of dances and dancers - like the ballerina muse Lidia Ivanova, who died only days before he left Russia - that haunted his choreography for decades.
In this beautifully written and extensively researched account of Balanchine's early years and the mysterious and untimely death of ballerina Lidia Ivanova, Elizabeth Kendall recreates an era and gives us new insight into Balanchine the genius and innovator, and by anchoring her narrative firmly in a larger political and historical context, gives us an invaluable picture of the Russian cultural scene at the beginning of the last century. Required reading for anyone interested in one of ballet's great masters or simply fans of first-rate, flawless writing.
Kendall's ability to breathe life into characters and situations is one of the main pleasures of the book
Notă biografică
Elizabeth Kendall is author of Autobiography of a Wardrobe (Pantheon 2008); American Daughter (Random House 2000); The Runaway Bride: Hollywood Romantic Comedy of the 1930s (Knopf 1990); and Where She Danced (Knopf 1979). She is a tenured associate professor of Literary Studies at The New School. She has written for The New Yorker, Vogue, Ballet News, Dance Magazine, The New York Times, Elle, The New Republic and other journals.