Beckett’s Voices / Voicing Beckett: Themes in Theatre, cartea 12
Laurens De Vos, Mariko Hori Tanaka, Nicholas Johnsonen Limba Engleză Hardback – 18 aug 2021
Contributors: Svetlana Antropova, Linda Ben-Zvi, Jonathan Bignell, Llewellyn Brown, Julie Campbell, Thirthankar Chakraborty, Laurens De Vos, Everett C. Frost, S. E. Gontarski, Mariko Hori Tanaka, Nicholas E. Johnson, Kumiko Kiuchi, Anna McMullan, Melissa Nolan, Cathal Quinn, Arthur Rose, Teresa Rosell Nicolás, Jürgen Siess, Anna Sigg, Yoshiko Takebe, Michiko Tsushima
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Specificații
ISBN-13: 9789004468399
ISBN-10: 9004468390
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Themes in Theatre
ISBN-10: 9004468390
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Themes in Theatre
Cuprins
Contents
Preface and Acknowledgements
List of Figures
Notes on Contributors
‘All the Dead Voices’: IntroductionLaurens De Vos, Mariko Hori Tanaka and Nicholas E. Johnson
Listening to the Inner Voice in Watt: Innovations in Narrative FormJulie CampbellMusicality of Voices
Sound Matters in BeckettLinda Ben-Zvi
Revealing the Limit of Language in Relation to MusicMichiko Tsushima
Embers: A Polyphonic Piece for RadioJürgen SiessVoices of an Absent Other
Samuel Beckett, Quickening the ‘Dead Voices’: From Waiting for Godot to That TimeLlewellyn Brown
Scratching the Surface: The Dramaturgical Oxymoron in Beckett’s SilencesLaurens De Vos
Why Is ‘Listener’ Named ‘Souvenant’?: The Role of the Spectator in a Bilingual Reading of That Time/Cette foisKumiko Kiuchi
Un-bodied Voices, the Thing Itself and Beckett’s Neural TheatreS. E. GontarskiVoices of the Vulnerable
Pacing as Repressed Memory of Embodiment and Enactment in FootfallsSvetlana Antropova
‘Rock Her Off’: The Paradoxical Tension of the Split Voice in RockabyTeresa Rosell Nicolás
Technology and the Voices of the More than Human in Beckett’s All That FallAnna McMullan
A Creamy Work: Schiller and BeckettArthur RoseCinematic Voices
Filmic Perspectives in Speaker’s Narrative of A Piece of MonologueMariko Hori Tanaka
Cinematic Adaptations of Beckett’s BreathAnna Sigg
Translating Silence: Ashish Avikunthak’s Cinematographic Version of Come and GoThirthankar ChakrabortyEnacted Voices in Performance and Media
Without Colour: Beckett and the Stage VoiceNicholas E. Johnson and Cathal Quinn
Beckett in Performance: The Body of a Beckettian ActorMelissa Nolan
Translating Beckett’s Voices in Different CulturesYoshiko Takebe
Articulations of Voice and Medium in Beckett’s Screen WorkJonathan Bignell
All That Fall as a Case Study in the Possibilities and Problematics of Re-routing Samuel Beckett’s Radio Plays for Performance in Other MediaEverett C. Frost
Index
Preface and Acknowledgements
List of Figures
Notes on Contributors
‘All the Dead Voices’: IntroductionLaurens De Vos, Mariko Hori Tanaka and Nicholas E. Johnson
Listening to the Inner Voice in Watt: Innovations in Narrative FormJulie CampbellMusicality of Voices
Sound Matters in BeckettLinda Ben-Zvi
Revealing the Limit of Language in Relation to MusicMichiko Tsushima
Embers: A Polyphonic Piece for RadioJürgen SiessVoices of an Absent Other
Samuel Beckett, Quickening the ‘Dead Voices’: From Waiting for Godot to That TimeLlewellyn Brown
Scratching the Surface: The Dramaturgical Oxymoron in Beckett’s SilencesLaurens De Vos
Why Is ‘Listener’ Named ‘Souvenant’?: The Role of the Spectator in a Bilingual Reading of That Time/Cette foisKumiko Kiuchi
Un-bodied Voices, the Thing Itself and Beckett’s Neural TheatreS. E. GontarskiVoices of the Vulnerable
Pacing as Repressed Memory of Embodiment and Enactment in FootfallsSvetlana Antropova
‘Rock Her Off’: The Paradoxical Tension of the Split Voice in RockabyTeresa Rosell Nicolás
Technology and the Voices of the More than Human in Beckett’s All That FallAnna McMullan
A Creamy Work: Schiller and BeckettArthur RoseCinematic Voices
Filmic Perspectives in Speaker’s Narrative of A Piece of MonologueMariko Hori Tanaka
Cinematic Adaptations of Beckett’s BreathAnna Sigg
Translating Silence: Ashish Avikunthak’s Cinematographic Version of Come and GoThirthankar ChakrabortyEnacted Voices in Performance and Media
Without Colour: Beckett and the Stage VoiceNicholas E. Johnson and Cathal Quinn
Beckett in Performance: The Body of a Beckettian ActorMelissa Nolan
Translating Beckett’s Voices in Different CulturesYoshiko Takebe
Articulations of Voice and Medium in Beckett’s Screen WorkJonathan Bignell
All That Fall as a Case Study in the Possibilities and Problematics of Re-routing Samuel Beckett’s Radio Plays for Performance in Other MediaEverett C. Frost
Index
Notă biografică
Laurens De Vos is Associate Professor in Theatre Studies at the University of Amsterdam. He authored Cruelty and Desire in the Modern Theater: Antonin Artaud, Samuel Beckett, and Sarah Kane (2011) and Shakespeare (2016). He edited Sarah Kane in Context (2010).
Mariko Hori Tanaka is Professor of English at Aoyama Gakuin University in Tokyo. She has published widely on Samuel Beckett and has co-edited Samuel Beckett and Pain (2012), Samuel Beckett and Trauma (2018) and Influencing Beckett / Beckett Influencing (2020).
Nicholas E. Johnson is Associate Professor of Drama at Trinity College Dublin, where he co-directs the Trinity Centre for Beckett Studies. His publications include Experimental Beckett (2020), Bertolt Brecht’s David Fragments (2020) and two special issues of the Journal of Beckett Studies (2014, 2020).
Mariko Hori Tanaka is Professor of English at Aoyama Gakuin University in Tokyo. She has published widely on Samuel Beckett and has co-edited Samuel Beckett and Pain (2012), Samuel Beckett and Trauma (2018) and Influencing Beckett / Beckett Influencing (2020).
Nicholas E. Johnson is Associate Professor of Drama at Trinity College Dublin, where he co-directs the Trinity Centre for Beckett Studies. His publications include Experimental Beckett (2020), Bertolt Brecht’s David Fragments (2020) and two special issues of the Journal of Beckett Studies (2014, 2020).