Theatre Scandals: Social Dynamics of Turbulent Theatrical Events: Themes in Theatre, cartea 10
Vicki Ann Cremona, Peter Eversmann, Bess Rowen, Anneli Saro, Henri Schoenmakersen Limba Engleză Hardback – iul 2020
Next to theoretical considerations the contributors, all members of the IFTR Theatrical Event Working Group, present in their various case studies a wide cultural and chronological diversity of theatre scandals, all of which were experienced as very shocking moments in theatre history.
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Specificații
ISBN-13: 9789004433250
ISBN-10: 9004433252
Pagini: 296
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.62 kg
Editura: Brill
Colecția Brill
Seria Themes in Theatre
ISBN-10: 9004433252
Pagini: 296
Dimensiuni: 155 x 235 x 23 mm
Greutate: 0.62 kg
Editura: Brill
Colecția Brill
Seria Themes in Theatre
Cuprins
Contents
Acknowledgements
List of Illustrations
Notes on ContributorsIntroductions
1 General IntroductionWillmar Sauter and Henri Schoenmakers
2 Spreading Like Wildfire: the Genesis and Evolution of Theatre ScandalsPeter Eversmann
3 Scandalous Theatrical Events: Concerns and EmotionsHenri SchoenmakersScandals Starting during Theatrical Events
4 The Hamburg Theatre Scandal of 1801: Political, Economic and AestheticConflicts on StageMartin Schneider
5 Burning the Bridge while Bridging the Gap: Riotous Pedagogy in ``The Plough and the Stars'' – Riot of 1926Bess Rowen
6 Shit, Idealism and Contingency: Terror in God’s TheatreJanne TapperScandals Starting Outside and around Theatrical Events
7 The Ejima-Ikushima ScandalTove Bjoerk
8 Scandal and Rebellion in the Theatrical Event: the Maltese Carnival of 1846Vicki Ann Cremona
9 Why Rainer Werner Fassbinder’s Play Garbage, the City, and Death CouldNot Be Performed in GermanyBeate Schappach
10 Swiss-Swiss Democracy: the Making of Scandal as Play and Counter PlayAndreas Kotte
11 Israeli-Palestinian Conflict on the Israeli Stage Arousing Scandal:the Case of Return to HaifaNaphtaly Shem-Tov
12 Mike Daisey’s False WitnessJoshua EdelmanScandals and Beyond
13 Cleopatra – between Historical and Movie ScandalsWillmar Sauter
14 Censorship as a Tool for the Prevention and Suspension ofScandalsAnneli Saro
15 The School for ScandalMarvin Carlson
Index
Acknowledgements
List of Illustrations
Notes on ContributorsIntroductions
1 General IntroductionWillmar Sauter and Henri Schoenmakers
2 Spreading Like Wildfire: the Genesis and Evolution of Theatre ScandalsPeter Eversmann
3 Scandalous Theatrical Events: Concerns and EmotionsHenri SchoenmakersScandals Starting during Theatrical Events
4 The Hamburg Theatre Scandal of 1801: Political, Economic and AestheticConflicts on StageMartin Schneider
5 Burning the Bridge while Bridging the Gap: Riotous Pedagogy in ``The Plough and the Stars'' – Riot of 1926Bess Rowen
6 Shit, Idealism and Contingency: Terror in God’s TheatreJanne TapperScandals Starting Outside and around Theatrical Events
7 The Ejima-Ikushima ScandalTove Bjoerk
8 Scandal and Rebellion in the Theatrical Event: the Maltese Carnival of 1846Vicki Ann Cremona
9 Why Rainer Werner Fassbinder’s Play Garbage, the City, and Death CouldNot Be Performed in GermanyBeate Schappach
10 Swiss-Swiss Democracy: the Making of Scandal as Play and Counter PlayAndreas Kotte
11 Israeli-Palestinian Conflict on the Israeli Stage Arousing Scandal:the Case of Return to HaifaNaphtaly Shem-Tov
12 Mike Daisey’s False WitnessJoshua EdelmanScandals and Beyond
13 Cleopatra – between Historical and Movie ScandalsWillmar Sauter
14 Censorship as a Tool for the Prevention and Suspension ofScandalsAnneli Saro
15 The School for ScandalMarvin Carlson
Index
Notă biografică
Vicki Ann Cremona, Docteur ès Lettres (1980), Université de Provence, is Professor of Theatre Studies at the University of Malta. She has published on public celebration, including Carnival and Power. Play and Politics in a Crown Colony (2018).
Peter Eversmann, Ph.D. (1996), University of Amsterdam, is Associate Professor of Theatre Studies at that university. He has published on theatre history and on the psychology of the spectator, including The Experience of the Theatrical Event (2004).
Bess Rowen, Ph.D. (2018), Villanova University, is a Visiting Assistant Professor of Theatre. She has published articles and interviews on twentieth- and twenty-first-century theatre in the United States. She has a forthcoming monograph on her concept of affective stage directions.
Anneli Saro, Ph.D. (2004), University of Tartu, is Professor of Theatre Research at that university. She has published on Estonian theatre history and system, on poetics of playing and reception research.
Henri Schoenmakers, Ph.D. 1983 University of Antwerpen, was Professor of Theatre Studies (Utrecht University, 1984-2005) and of Theatre and Media Studies (University of Erlangen, 2000-2007, and Roosevelt Academy of Utrecht University, 2008-2013). He has published on the theory and reception of theatre and media, e.g. Theater und Medien / Theatre and the Media: Grundlagen – Analysen – Perspektiven (2008).
Peter Eversmann, Ph.D. (1996), University of Amsterdam, is Associate Professor of Theatre Studies at that university. He has published on theatre history and on the psychology of the spectator, including The Experience of the Theatrical Event (2004).
Bess Rowen, Ph.D. (2018), Villanova University, is a Visiting Assistant Professor of Theatre. She has published articles and interviews on twentieth- and twenty-first-century theatre in the United States. She has a forthcoming monograph on her concept of affective stage directions.
Anneli Saro, Ph.D. (2004), University of Tartu, is Professor of Theatre Research at that university. She has published on Estonian theatre history and system, on poetics of playing and reception research.
Henri Schoenmakers, Ph.D. 1983 University of Antwerpen, was Professor of Theatre Studies (Utrecht University, 1984-2005) and of Theatre and Media Studies (University of Erlangen, 2000-2007, and Roosevelt Academy of Utrecht University, 2008-2013). He has published on the theory and reception of theatre and media, e.g. Theater und Medien / Theatre and the Media: Grundlagen – Analysen – Perspektiven (2008).