Beggars Banquet and the Rolling Stones' Rock and Roll Revolution: ‘They Call My Name Disturbance': Ashgate Popular and Folk Music Series
Editat de Russell Reisingen Limba Engleză Paperback – 2 aug 2021
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Specificații
ISBN-13: 9781032082431
ISBN-10: 1032082437
Pagini: 224
Ilustrații: 10 Illustrations, black and white
Dimensiuni: 156 x 234 x 12 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032082437
Pagini: 224
Ilustrații: 10 Illustrations, black and white
Dimensiuni: 156 x 234 x 12 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
Cuprins
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle"
Part I: What can poor boys do, except to sing (and play and produce) in a rock ‘n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he’s so shattered': the percussive core of Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards’s use of open G tuning
James McGrath: Doctor, I’m damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
Part II: "What’s puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet’s new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself’: autobiographical blues self-fashioning in ‘Sympathy for the Devil’
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year’: the spectacular evil in the Rolling Stones’ live performance career
Part I: What can poor boys do, except to sing (and play and produce) in a rock ‘n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he’s so shattered': the percussive core of Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards’s use of open G tuning
James McGrath: Doctor, I’m damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
Part II: "What’s puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet’s new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself’: autobiographical blues self-fashioning in ‘Sympathy for the Devil’
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year’: the spectacular evil in the Rolling Stones’ live performance career
Notă biografică
Russell Reising is Professor of American Culture and Asian Studies, University of Toledo, Ohio
Recenzii
"The book’s strength is the astonishingly broad palette of disciplines it covers. Some chapters focus on the individual players (including the sidemen and producers) or concentrate on the analysis of a single song (including rare b-sides) while others deal with larger topics such as sexuality, ethics, psychedelia, disability, production techniques, or the staging of live performances. For such a panopticon, a good structure is needed and the editor really did his best to create a convincing ‘set list’. It all holds together by concentrating on Beggars Banquet, the LP with which the band reinvented themselves and found their style for the decades to come. 50 years later, this is the book such a musical milestone deserves!"
Dr Ralf von Appen, Justus-Liebig-Universität Gießen, Germany
Dr Ralf von Appen, Justus-Liebig-Universität Gießen, Germany
Descriere
The Rolling Stones’ Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the ‘mature’ sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades.