Beholding Violence in Medieval and Early Modern Europe: Visual Culture in Early Modernity
Editat de Allie Terry-Fritsch, Erin Felicia Labbieen Limba Engleză Hardback – 28 oct 2012
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Specificații
ISBN-13: 9781409442868
ISBN-10: 1409442861
Pagini: 298
Dimensiuni: 174 x 246 mm
Greutate: 0.91 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Visual Culture in Early Modernity
Locul publicării:Oxford, United Kingdom
ISBN-10: 1409442861
Pagini: 298
Dimensiuni: 174 x 246 mm
Greutate: 0.91 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Visual Culture in Early Modernity
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Foreword, W.J.T. Mitchell; Introduction: beholding violence, Erin Felicia Labbie and Allie Terry-Fritsch; Proof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy, Allie Terry-Fritsch; Giovanni Pisano's marble wounds: beholding artistic self-defense in the Pisa cathedral pulpit, Matthew G. Shoaf; Beholding and touching: early modern strategies of negotiating illness, Mirella G. Pardee; The gap of death: passive violence in the encounter between the Three Dead and the Three Living, Elina Gertsman; Being beheld: Julian of Norwich's mystical surreal and the violence of vision, Christopher Taylor; Image in pain: icons, old bones and new blood, Galina Tirnanic; 'To have the pleasure of this siege': envisioning siege warfare during the European wars of religion, Brian Sandberg; Theatrum mundi: performativity, violence and metatheatre in Webster's The White Devil, Lisa Dickson; Portia's Pauline perversion: The Merchant of Venice and Romans I, Will Stockton; Violent passions: plays, pawnbrokers, and the Jews of Rome, 1539, Barbara Wisch; Beholding typology: the violence of recognition in Caravaggio's representations of the Sacrifice of Isaac, Erin Felicia Labbie; Bibliography; Index.
Notă biografică
Allie Terry-Fritsch is Associate Professor of Art History at Bowling Green State University. Erin Felicia Labbie is Associate Professor of English Literature at Bowling Green State University and is the author of Lacan's Medievalism.
Recenzii
'Violence abounds in the art and literature of medieval and early modern Europe, but what was at stake for its original beholders? And what does it mean to behold such images today? This volume puts the art of beholding under the spotlight, asking whether we may discover, in the scene of violence, its most defining characteristics. A timely and wide ranging set of meditations.' Robert Mills, King's College London
'I can state with conviction that all the essays are infinitely intriguing and that every one of them is based on exemplary research.' Renaissance Quarterly
'... specialists and advanced graduate students can read with profit these varied angles of approach to the fascinating and, at times, disturbing questions raised by the act of beholding violence...' Sixteenth Century Journal
'I can state with conviction that all the essays are infinitely intriguing and that every one of them is based on exemplary research.' Renaissance Quarterly
'... specialists and advanced graduate students can read with profit these varied angles of approach to the fascinating and, at times, disturbing questions raised by the act of beholding violence...' Sixteenth Century Journal
Descriere
Interrogating how medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this collection explore the experience of individual or collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, objects, texts, and performances, the contributors examine the complexities of viewing and the production of knowledge across temporal moments.