Beyond the Screen: Emerging Cinema and Engaging Audiences
Autor Dr Sarah Atkinsonen Limba Engleză Paperback – 16 dec 2015
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 259.34 lei 3-5 săpt. | |
Bloomsbury Publishing – 16 dec 2015 | 259.34 lei 3-5 săpt. | |
Hardback (1) | 833.88 lei 6-8 săpt. | |
Bloomsbury Publishing – 4 iun 2014 | 833.88 lei 6-8 săpt. |
Preț: 259.34 lei
Preț vechi: 297.03 lei
-13% Nou
Puncte Express: 389
Preț estimativ în valută:
49.63€ • 51.50$ • 41.48£
49.63€ • 51.50$ • 41.48£
Carte disponibilă
Livrare economică 22 februarie-08 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781501308659
ISBN-10: 1501308653
Pagini: 312
Ilustrații: 44 bw illus
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501308653
Pagini: 312
Ilustrații: 44 bw illus
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Interweaves and cross-pollinates traditional theoretical frameworks with new developments within multi-platform storytelling
Notă biografică
Sarah Atkinson is Principal Lecturer in Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media.
Cuprins
AcknowledgementsPrefaceList of IllustrationsChapter 1: IntroductionChapter 2: Extending CinemaChapter 3: Mobile CinemaChapter 4: Socially Layered CinemaChapter 5: The Ethics of Emerging CinemaChapter 6: The Business of Emerging CinemaChapter 7: The Grammar of Emerging CinemaChapter 8: EpilogueFilmographyBibliographyIndex
Recenzii
This is a thought-provoking and fascinating book for all those engaged in navigating and understanding emerging and expanded forms of 'cinema'. We're faced daily by a dizzying new media landscape, to be sure, and Atkinson shows us some compelling ways through it which usefully draw and build on existing film studies conceptualisations.
Beyond the Screen offers a fascinating and insightful study into the way that technology is changing the relationship between moving image and audience and how these changes are reshaping the very meaning of cinema. Combining historical, narratological, industrial and audience research of case studies ranging from major studio releases to experimental mobile films and ARGs, Atkinson's book offers essential reading for anyone wanting to understand what cinema is becoming.
Beyond the Screen is a welcome and refreshing investigation of the art form we call cinema. However, this century-old form of screen-based storytelling has vaulted over the antiquated definitions of it that we have customarily used, and Dr. Atkinson examines the new world of cinema in all of its many forms. She investigates transmedia storytelling, audience sourced stories, stories told on iPads and many other emerging genres. To help the reader grasp the various concepts she discusses, she not only works out a new grammar for the field but also offers numerous case histories, some of which might already be known to the reader but a number of which are sure to be unfamiliar but fascinating.
Beyond the Screen offers a fascinating and insightful study into the way that technology is changing the relationship between moving image and audience and how these changes are reshaping the very meaning of cinema. Combining historical, narratological, industrial and audience research of case studies ranging from major studio releases to experimental mobile films and ARGs, Atkinson's book offers essential reading for anyone wanting to understand what cinema is becoming.
Beyond the Screen is a welcome and refreshing investigation of the art form we call cinema. However, this century-old form of screen-based storytelling has vaulted over the antiquated definitions of it that we have customarily used, and Dr. Atkinson examines the new world of cinema in all of its many forms. She investigates transmedia storytelling, audience sourced stories, stories told on iPads and many other emerging genres. To help the reader grasp the various concepts she discusses, she not only works out a new grammar for the field but also offers numerous case histories, some of which might already be known to the reader but a number of which are sure to be unfamiliar but fascinating.