Beyond the Screen: Emerging Cinema and Engaging Audiences
Autor Dr Sarah Atkinsonen Limba Engleză Hardback – 4 iun 2014
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Specificații
ISBN-13: 9781623566371
ISBN-10: 1623566371
Pagini: 312
Ilustrații: 44 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.61 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1623566371
Pagini: 312
Ilustrații: 44 bw illus
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.61 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Interweaves
and
cross-pollinates
traditional
theoretical
frameworks
with
new
developments
within
multi-platform
storytelling
Notă biografică
Sarah
Atkinsonis
Principal
Lecturer
in
Film
and
Media
at
the
University
of
Brighton,
UK,
and
an
audio-visual
arts
practitioner
undertaking
explorations
into
new
forms
of
fictional
and
dramatic
storytelling
in
visual
and
sonic
media.
Cuprins
AcknowledgementsPrefaceList
of
IllustrationsChapter
1:
IntroductionChapter
2:
Extending
CinemaChapter
3:
Mobile
CinemaChapter
4:
Socially
Layered
CinemaChapter
5:
The
Ethics
of
Emerging
CinemaChapter
6:
The
Business
of
Emerging
CinemaChapter
7:
The
Grammar
of
Emerging
CinemaChapter
8:
EpilogueFilmographyBibliographyIndex
Recenzii
[Atkinson's]
comprehensive
survey,
coupled
with
her
exacting
analysis
of
emerging
trends,
remains
an
invaluable
resource
for
theorists
and
practitioners
alike.
A dizzying amount of case studies have been documented in this overview of media texts and viewing platforms ... Atkinson has documented cutting-edge developments in exhibition and distribution in order to demonstrate how audiences might interact with media narratives in the future.
Beyond the Screenmarks a significant step towards developing a language that may yet have longevity. Moreover, it does so having taken into account textual, industrial and audience perspectives on these 'emerging cinemas' with dexterity, which very few other accounts can be said to have achieved.
This is a thought-provoking and fascinating book for all those engaged in navigating and understanding emerging and expanded forms of 'cinema'. We're faced daily by a dizzying new media landscape, to be sure, and Atkinson shows us some compelling ways through it which usefully draw and build on existing film studies conceptualisations.
Beyond the Screenoffers a fascinating and insightful study into the way that technology is changing the relationship between moving image and audience and how these changes are reshaping the very meaning of cinema. Combining historical, narratological, industrial and audience research of case studies ranging from major studio releases to experimental mobile films and ARGs, Atkinson's book offers essential reading for anyone wanting to understand what cinema is becoming.
Beyond the Screenis a welcome and refreshing investigation of the art form we callcinema.However, this century-old form of screen-based storytelling has vaulted over the antiquated definitions of it that we have customarily used, and Dr. Atkinson examines the new world of cinema in all of its many forms. She investigates transmedia storytelling, audience sourced stories, stories told on iPads and many other emerging genres. To help the reader grasp the various concepts she discusses, she not only works out a new grammar for the field but also offers numerous case histories, some of which might already be known to the reader but a number of which are sure to be unfamiliar but fascinating.
A dizzying amount of case studies have been documented in this overview of media texts and viewing platforms ... Atkinson has documented cutting-edge developments in exhibition and distribution in order to demonstrate how audiences might interact with media narratives in the future.
Beyond the Screenmarks a significant step towards developing a language that may yet have longevity. Moreover, it does so having taken into account textual, industrial and audience perspectives on these 'emerging cinemas' with dexterity, which very few other accounts can be said to have achieved.
This is a thought-provoking and fascinating book for all those engaged in navigating and understanding emerging and expanded forms of 'cinema'. We're faced daily by a dizzying new media landscape, to be sure, and Atkinson shows us some compelling ways through it which usefully draw and build on existing film studies conceptualisations.
Beyond the Screenoffers a fascinating and insightful study into the way that technology is changing the relationship between moving image and audience and how these changes are reshaping the very meaning of cinema. Combining historical, narratological, industrial and audience research of case studies ranging from major studio releases to experimental mobile films and ARGs, Atkinson's book offers essential reading for anyone wanting to understand what cinema is becoming.
Beyond the Screenis a welcome and refreshing investigation of the art form we callcinema.However, this century-old form of screen-based storytelling has vaulted over the antiquated definitions of it that we have customarily used, and Dr. Atkinson examines the new world of cinema in all of its many forms. She investigates transmedia storytelling, audience sourced stories, stories told on iPads and many other emerging genres. To help the reader grasp the various concepts she discusses, she not only works out a new grammar for the field but also offers numerous case histories, some of which might already be known to the reader but a number of which are sure to be unfamiliar but fascinating.