Byzantium in the Iconoclast Era, c. 680–850: A History
Autor Leslie Brubaker, John Haldonen Limba Engleză Paperback – 4 feb 2015
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Specificații
ISBN-13: 9781107626294
ISBN-10: 1107626293
Pagini: 944
Ilustrații: 71 b/w illus. 7 maps
Dimensiuni: 170 x 244 x 47 mm
Greutate: 1.47 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
ISBN-10: 1107626293
Pagini: 944
Ilustrații: 71 b/w illus. 7 maps
Dimensiuni: 170 x 244 x 47 mm
Greutate: 1.47 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:New York, United States
Cuprins
Introduction; 1. Belief, ideology and practice in a changing world; 2. Leo III: iconoclast or opportunist?; 3. Constantine V and the institutionalisation of iconoclasm; 4. The triumph of tradition? The iconophile intermission, 775–813; 5. The second iconoclasm; 6. Economy, society and state; 7. Patterns of settlement: urban and rural life; 8. Social elites and the court; 9. Society, politics and power; 10. Fiscal management and administration; 11. Strategic administration and the origins of the themata; 12. Iconoclasm, representation, and rewriting the past.
Recenzii
'This is the most important book on Byzantium to appear in my lifetime. The authors admirably fulfil their stated intention to discuss political recovery and institutional reshaping, the final stages in the evolution of eastern Orthodox dogma, the emergence of a new political and social elite, the transformation of urban life and also urban-rural relations, and the generation of a new 'medieval' perspective on the past.' Thomas F. X. Noble, Journal of Interdisciplinary History
'… scholars and students interested in iconoclasm and Byzantine history cannot afford to ignore this volume.' Arctos
'… scholars and students interested in iconoclasm and Byzantine history cannot afford to ignore this volume.' Arctos
Descriere
Iconoclasm, the debate about the legitimacy of religious art in Byzantium during the eighth and early ninth centuries, has long gripped the historical imagination. This book reinterprets the history of the period, challenges many traditional assumptions about iconoclasm, and sets it firmly in its broader political, cultural and social-economic context.