Cantitate/Preț
Produs

Caput Johannis in Disco: {Essay on a Man’s Head}: Visualising the Middle Ages, cartea 8

Autor Barbara Baert
en Limba Engleză Hardback – 13 iun 2012
During the Middle Ages, the head of St John the Baptist was widely venerated. According to the biblical text, John was beheaded at the order of Herod’s stepdaughter, who is traditionally given the name Salome. His head was later found in Jerusalem. Legends concerning the discovery of this relic form the basis of an iconographic type in which the head of St John the Baptist is represented as an “object.” The phenomenon of the Johannesschüssel is the subject of this essay. Little is known about how exactly these objects functioned. How are we to understand this fascination with horror, death and decapitation? What phantasms does the artifact channel?
The present study offers the unique key to the Johannesschüssel as artifact, phenomenon, phantasm and medium.
Citește tot Restrânge

Din seria Visualising the Middle Ages

Preț: 85740 lei

Preț vechi: 104561 lei
-18% Nou

Puncte Express: 1286

Preț estimativ în valută:
16414 17087$ 13513£

Carte indisponibilă temporar

Doresc să fiu notificat când acest titlu va fi disponibil:

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9789004224117
ISBN-10: 9004224114
Pagini: 264
Dimensiuni: 155 x 235 x 25 mm
Greutate: 0.74 kg
Editura: Brill
Colecția Brill
Seria Visualising the Middle Ages


Notă biografică

Barbara Baert is Professor in Medieval Art at the University of Leuven. In 2006 she founded the Iconology Research Group, an international and interdisciplinary platform for the study of the interpretation of images. Her disciplines concern Sacred Topography, Visual Anthropology, Relics and Devotion and Art Theory. Recent books are Fluid Flesh. The Body, Religion and the Visual Arts ((Ed.) 2009) and Interspaces between Word, Gaze and Touch: The Bible and the Visual Medium in the Middle Ages (2011) and New Perspectives in Iconology: Visual Studies and Anthropology ((Eds.) 2012).

Cuprins

List of Illustrations ...xi
Copyrights ...xix
Acknowledgements ...xxiii

Prologue ...1

1.The narrative ...9
2.The relics ...22
3.The genesis of an artifact ...45
4.The liturgical calendar: performative acts and therapy ...61
5.The sacramental context: water and blood ...83
6.The Andachtsbild: the gaze and the senses ...105
7.The Medusa efffect ...130
8.Skull cult ...143
9.Sacrifijice and dance ...153
10.In utroque: genealogy and foundation ...166
11.In utroque: head and face...184
12.The executioner’s arm: painting as blood ...205
13.Epilogue: Nachleben ...211

Bibliography ...225
Index ...247