Reimagining Jerusalem’s Architectural Identities in the Later Middle Ages: Visualising the Middle Ages, cartea 14
Autor Cathleen A. Flecken Limba Engleză Hardback – 4 oct 2022
The book considers how European Catholic crusaders, Eastern Christian sects, and diverse Muslim factions displayed Jerusalem’s architecture to express their interpretation of the holy city’s sanctity and influence. These examples demonstrate how artworks can reflect Jerusalem’s importance to these faiths in the past and illuminate our understanding of its status into the modern era.
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Specificații
ISBN-13: 9789004523081
ISBN-10: 9004523081
Pagini: 480
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Visualising the Middle Ages
ISBN-10: 9004523081
Pagini: 480
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Visualising the Middle Ages
Notă biografică
Cathleen A. Fleck, Ph.D. (1999), The Johns Hopkins University, is Associate Professor (Art History) and Chair (Fine and Performing Arts) at Saint Louis University. She publishes on medieval Mediterranean art, including The Clement Bible at the Medieval Courts of Naples and Avignon: A Story of Papal Power, Royal Prestige, and Patronage (Ashgate, 2010).
Cuprins
Acknowledgments
Notes on Transcriptions and Dates
List of Figures
Introduction
1Jerusalem in Relief A Crusader Pilaster Reexamined
1.1 The Pilaster and Its Jerusalem Scenes
1.1.1The Church of the Holy Sepulcher
1.1.2The Dome of the Rock
1.1.3The Tower of David and ‘Curia Regis’
1.2 A Context of Production
1.2.1The Temple Mount Setting in Jerusalem
1.2.2A Royal Display
1.3 Conclusions
2Jerusalem as a Guide for Personal Deliverance The Riccardiana Psalter in the Thirteenth Century
2.1 The Issues of the Riccardiana Psalter
2.2 The Visual Content, Iconography, and Style
2.2.1The Annunciation and Visitation at Psalm 1
2.2.2The Adoration of the Magi at Psalm 26
2.2.3The Presentation in the Temple at Psalm 38
2.2.4The Entry of Christ into Jerusalem at Psalm 52
2.2.5The Last Supper and Washing of the Apostles’ Feet at Psalm 68
2.2.6The Harrowing of Hell and Three Marys at the Tomb at Psalm 80
2.2.7The Ascension at Psalm 97
2.2.8The Pentecost at Psalm 109
2.3 The Place of Production
2.4 A Devotional Prayer Book
2.5 Conclusions
3Jerusalem on Souvenir Glass Beakers and Cross-Cultural Exchange
3.1 The Architecture on the Beakers
3.1.1The Large Beaker
3.1.1.1 The Dome of the Rock
3.1.1.2 The Church of the Holy Sepulcher
3.1.2The Small Beaker
3.1.2.1 The Golden Gate
3.1.2.2 The Church of the Ascension
3.2 The Figures on the Beakers
3.3 Palm Sunday Liturgy in Jerusalem and the Beakers
3.4 The Material, Context, and Inscriptions
3.5 Conclusions
4A Multicultural View of Jerusalem on the Freer Canteen
4.1 “Islamic” Metalware in the Thirteenth Century: Material, Imagery, and Form
4.2 The Imagery on the Canteen’s Obverse Side
4.2.1The Virgin and Child
4.2.2The Christological Scenes
4.2.2.1 The Nativity in Bethlehem—and Jerusalem: The Grotto in the Church of the Nativity and Cradle of Jesus
4.2.2.2 The Presentation in the Temple: The Temple as Conflation of the Dome of the Rock and Church of the Holy Sepulcher
4.2.2.3 The Entry into Jerusalem: Palm Sunday Liturgy and the Golden Gate
4.2.2.4 The Combination of Scenes on the Obverse: A Christological Focus
4.3 The Canteen’s Reverse: Sacred and Secular Models
4.4 The Canteen’s Inscriptions
4.5 Conclusions
5Jerusalem and King Solomon in the Clement Bible The Promotion of Robert iof Naples as Symbolic King of Jerusalem in the Fourteenth Century
5.1 A Description of the Clement Bible
5.1.1The Temple of Jerusalem in the Clement Bible
5.2 Naples and the Holy Land: Related Scenes in the Clement Bible
5.2.1The Related Anjou Bible and Jerusalem
5.3 The Clement Bible and the Discourse on Rome and Jerusalem
5.4 King Robert i and Crusades
5.5 Conclusions
6Jerusalem as a Symbol of Islamic Identity The Holy City Displayed in Mamluk Cairo
6.1 The Jerusalem Theme on the Pilaster in Mamluk Cairo
6.1.1The Dome of the Rock
6.1.2The Tower of David
6.1.3The Church of the Holy Sepulcher
6.2 The Jerusalemite Pilaster as Spolia
6.3 The Pilaster’s Setting in Mamluk Cairo
6.3.1The Visual Evidence of the Portal in Cairo
6.4 Sultan Hasan’s Complex and the Black Death
6.5 Hasan’s Motivations for the Complex and the Use of the Jerusalemite Pilasters
6.6 Conclusions
Conclusions
Bibliography
Index
Notes on Transcriptions and Dates
List of Figures
Introduction
1Jerusalem in Relief A Crusader Pilaster Reexamined
1.1 The Pilaster and Its Jerusalem Scenes
1.1.1The Church of the Holy Sepulcher
1.1.2The Dome of the Rock
1.1.3The Tower of David and ‘Curia Regis’
1.2 A Context of Production
1.2.1The Temple Mount Setting in Jerusalem
1.2.2A Royal Display
1.3 Conclusions
2Jerusalem as a Guide for Personal Deliverance The Riccardiana Psalter in the Thirteenth Century
2.1 The Issues of the Riccardiana Psalter
2.2 The Visual Content, Iconography, and Style
2.2.1The Annunciation and Visitation at Psalm 1
2.2.2The Adoration of the Magi at Psalm 26
2.2.3The Presentation in the Temple at Psalm 38
2.2.4The Entry of Christ into Jerusalem at Psalm 52
2.2.5The Last Supper and Washing of the Apostles’ Feet at Psalm 68
2.2.6The Harrowing of Hell and Three Marys at the Tomb at Psalm 80
2.2.7The Ascension at Psalm 97
2.2.8The Pentecost at Psalm 109
2.3 The Place of Production
2.4 A Devotional Prayer Book
2.5 Conclusions
3Jerusalem on Souvenir Glass Beakers and Cross-Cultural Exchange
3.1 The Architecture on the Beakers
3.1.1The Large Beaker
3.1.1.1 The Dome of the Rock
3.1.1.2 The Church of the Holy Sepulcher
3.1.2The Small Beaker
3.1.2.1 The Golden Gate
3.1.2.2 The Church of the Ascension
3.2 The Figures on the Beakers
3.3 Palm Sunday Liturgy in Jerusalem and the Beakers
3.4 The Material, Context, and Inscriptions
3.5 Conclusions
4A Multicultural View of Jerusalem on the Freer Canteen
4.1 “Islamic” Metalware in the Thirteenth Century: Material, Imagery, and Form
4.2 The Imagery on the Canteen’s Obverse Side
4.2.1The Virgin and Child
4.2.2The Christological Scenes
4.2.2.1 The Nativity in Bethlehem—and Jerusalem: The Grotto in the Church of the Nativity and Cradle of Jesus
4.2.2.2 The Presentation in the Temple: The Temple as Conflation of the Dome of the Rock and Church of the Holy Sepulcher
4.2.2.3 The Entry into Jerusalem: Palm Sunday Liturgy and the Golden Gate
4.2.2.4 The Combination of Scenes on the Obverse: A Christological Focus
4.3 The Canteen’s Reverse: Sacred and Secular Models
4.4 The Canteen’s Inscriptions
4.5 Conclusions
5Jerusalem and King Solomon in the Clement Bible The Promotion of Robert iof Naples as Symbolic King of Jerusalem in the Fourteenth Century
5.1 A Description of the Clement Bible
5.1.1The Temple of Jerusalem in the Clement Bible
5.2 Naples and the Holy Land: Related Scenes in the Clement Bible
5.2.1The Related Anjou Bible and Jerusalem
5.3 The Clement Bible and the Discourse on Rome and Jerusalem
5.4 King Robert i and Crusades
5.5 Conclusions
6Jerusalem as a Symbol of Islamic Identity The Holy City Displayed in Mamluk Cairo
6.1 The Jerusalem Theme on the Pilaster in Mamluk Cairo
6.1.1The Dome of the Rock
6.1.2The Tower of David
6.1.3The Church of the Holy Sepulcher
6.2 The Jerusalemite Pilaster as Spolia
6.3 The Pilaster’s Setting in Mamluk Cairo
6.3.1The Visual Evidence of the Portal in Cairo
6.4 Sultan Hasan’s Complex and the Black Death
6.5 Hasan’s Motivations for the Complex and the Use of the Jerusalemite Pilasters
6.6 Conclusions
Conclusions
Bibliography
Index