Carnival Art, Culture and Politics: Performing Life
Editat de Michaeline Crichlowen Limba Engleză Paperback – 31 mai 2017
This book was originally published as a special issue of Social Identities: Journal for the Study of Race, Nation and Culture.
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Specificații
ISBN-13: 9781138110427
ISBN-10: 1138110426
Pagini: 198
Ilustrații: 31
Dimensiuni: 174 x 246 x 12 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138110426
Pagini: 198
Ilustrații: 31
Dimensiuni: 174 x 246 x 12 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
1. Introduction: Carnival Praxis, Carnivalesque Strategies and Atlantic Interstices Michaeline A. Crichlow, Duke University, USA; and Piers Armstrong, California State University, USA 2. Carnival Time Versus Modern Social Life: A False Distinction Gerard Aching, Cornell University, USA 3. Feathered Footsteps: Mythologizing and Ritualizing Black Indian Processions in New Orleans Stephen C. Wehmeyer, Champlain College, USA 4. Bahian Carnival and social Carnivalesque in Transatlantic Context Piers Armstrong, California State University, USA 5. ‘The Return of Crazy Mother’: the Cultural Politics of Carnival in 1930s Dijon Philip Whalen, Coastal Carolina University, USA 6. Ethnic Identity and Elite Idyll: A comparison of carnival in Buenos Aires, Argentina and Montevideo, Uruguay, 1900-1920 Kristen McCleary, George Mason University, USA 7. Carnival time in the Kingdom of Coal Mary Hufford, University of Pennyslvania, USA 8. Carnivals against Capital: Radical Clowning and the Global Justice Movement L. M. Bogad, University of California Davis, USA 9. Incremental Art: Negotiating the Route of London’s Notting Hill Carnival Lesley Ferris, Ohio State University, USA
Descriere
Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. It was originally published as a special issue of Social Identities.