Circles: Modern Plays
Autor Rachel De-Lahayen Limba Engleză Paperback – 8 mai 2014
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Specificații
ISBN-13: 9781472591913
ISBN-10: 1472591917
Pagini: 64
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.07 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472591917
Pagini: 64
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.07 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
This is De-lahay's first play since she won the 2013 Evening Standard Award for Most Promising Playwright and, in 2012, The Westbridge won her the Writers' Guild Award for Best Play.
Notă biografică
Rachel De-lahay's debut play was The Westbridge (Royal Court, London), which opened at the Bussey Building in Peckham in 2011 as part of Theatre Local, before playing to full houses in the Jerwood Theatre Upstairs. It was awarded the Alfred Fagon Award, while still unproduced. Rachel was part of the Royal Court's Unheard Voices Writers' Programme and won the 2012 Writers' Guild Award for Best Play. In 2013 she was awarded the Evening Standard's Charles Wintour Award for Most Promising Playwright, for Routes, which premiered at the Royal Court, London in 2013.
Recenzii
De-lahay excels in writing streetsmart dialogue...
Routes is a vigorous and dynamic piece.
This thrilling debut play by Rachel De-lahay plugs straight into the jittery heart of multicultural London today . . . De-lahay has an alert ear for comic dialogue and her portrait of mixed-race, upwardly mobile twentysomethings on the estate . . . crackles with wit as well as moments of deep emotion. The play raises the provocative question of whether it is possible to shrug off the fraught issue of racial identity . . . It's a play that combines sharp one-liners with a savvy sense of the way we live now . . . One leaves the theatre impatient to discover what Rachel De-lahay will come up with next.
De-lahay's plot in the closing scenes twists and knots the pairs together to create a modern revenge drama . . .
De-lahay is a writer who knows how to get from A to B in by the most direct means.
It's always a pleasure to hear from Rachel De-lahay, who specialises in sparky, often unsettling updates from the urban frontline. She won last year's Evenin Standard Charles Wintour Aeard for Most Promising Playwright and is back now with another characteristically provocative bulletin . . . De-lahay's undoubted talent deserves to be applied to a wider canvas . . .
It is a sad metaphor for the lives of the three generations of women in this sharp and ambitious... new work from rising star writer Rachel De-lahay. Each woman is dominated and abused by men we never see, and each one fails to break the cycle.
The device of alternating scenes between the teenagers and the troubled grandmother works beautifully with the development of Demi and Malachi's relationship and its eventual shocking denouement. The perfectly pitched ear for dialogue which last year won De-lahay... an Evening Standard award... confirms De-lahay's status as a talent to watch.
Rachel De-lahay's deft new play... Circles swerves from sweet banter on the upper deck to far darker places... this short play offers an unsettling trip.
Routes is a vigorous and dynamic piece.
This thrilling debut play by Rachel De-lahay plugs straight into the jittery heart of multicultural London today . . . De-lahay has an alert ear for comic dialogue and her portrait of mixed-race, upwardly mobile twentysomethings on the estate . . . crackles with wit as well as moments of deep emotion. The play raises the provocative question of whether it is possible to shrug off the fraught issue of racial identity . . . It's a play that combines sharp one-liners with a savvy sense of the way we live now . . . One leaves the theatre impatient to discover what Rachel De-lahay will come up with next.
De-lahay's plot in the closing scenes twists and knots the pairs together to create a modern revenge drama . . .
De-lahay is a writer who knows how to get from A to B in by the most direct means.
It's always a pleasure to hear from Rachel De-lahay, who specialises in sparky, often unsettling updates from the urban frontline. She won last year's Evenin Standard Charles Wintour Aeard for Most Promising Playwright and is back now with another characteristically provocative bulletin . . . De-lahay's undoubted talent deserves to be applied to a wider canvas . . .
It is a sad metaphor for the lives of the three generations of women in this sharp and ambitious... new work from rising star writer Rachel De-lahay. Each woman is dominated and abused by men we never see, and each one fails to break the cycle.
The device of alternating scenes between the teenagers and the troubled grandmother works beautifully with the development of Demi and Malachi's relationship and its eventual shocking denouement. The perfectly pitched ear for dialogue which last year won De-lahay... an Evening Standard award... confirms De-lahay's status as a talent to watch.
Rachel De-lahay's deft new play... Circles swerves from sweet banter on the upper deck to far darker places... this short play offers an unsettling trip.