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Concerning the Spiritual in Art de Wassily Kandinsky

Concerning the Spiritual in Art

Autor Wassily Kandinsky
en Limba Engleză Paperback – 31 mai 2011
Excerpt: ...There is, however, in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere, a similarity of ideals, at first closely pursued but later lost to sight, a similarity in the inner feeling of any one period to that of another, the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age. An example of this today is our sympathy, our spiritual relationship, with the Primitives. Like ourselves, these artists sought to express in their work only internal truths, renouncing in consequence all consideration of external form.
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Specificații

ISBN-13: 9781604442700
ISBN-10: 1604442700
Pagini: 94
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.15 kg
Editura: Indoeuropeanpublishing.com

Notă biografică

Wassily Wassilyevich Kandinsky (16 December [O.S. 4 December] 1866 - 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art.[1] Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession-he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)-Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton A¿be's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky"[2] and helped establish the Museum of the Culture of Painting.[3] However, by then "his spiritual outlook... was foreign to the argumentative materialism of Soviet society",[4] and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944. Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant.[5][6] One of his great grandmothers was a Princess Gantimurova, probably explaining the "slight Mongolian trait in his features".[7] Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. In 1889, he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, and his study of the region's folk art (particularly the use of bright colours on a dark background), was reflected in much of his early work. A few years later he first likened painting to composing music in the manner for which he would become noted, writing, "Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul".[8] Kandinsky was also the uncle of Russian-French philosopher Alexandre Kojève (1902-1968).

Textul de pe ultima copertă

A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.
Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.
This English translation of Uber das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

Cuprins

Translator's Introduction Part I. ABOUT GENERAL AESTHETIC I. Introduction II. The Movement of the Triangle III. Spiritual Revolution IV. The Pyramid Part II. ABOUT PAINTING V. The Psychological Working of Colour VI. The Language of Form and Colour VII. Theory VIII. Art and Artists IX. Conclusion

Descriere

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Artists and thinkers alike will treasure this special hardcover edition of one of the most important documents in the history of modern art. A pioneering work in spiritual revolution and the movement to free art from its traditional bonds to material reality, and written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it helps readers understand art by explaining Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking abstract paintings, this book had a tremendous impact on the development of modern art.