Cantitate/Preț
Produs
Total produse
Vezi coșul
Concerning the Spiritual in Art de Wassily Kandinsky

Concerning the Spiritual in Art

Autor Wassily Kandinsky Traducere de Michael T Sadler
en Limba Engleză Paperback – 12 iun 2019
First published in Munich in 1911, Wassily Kandinsky's "Concerning the Spiritual in Art" explores the artist's ideas on the different forms of art and what role art plays in the spiritual life of mankind. Considered to have painted the first truly abstract work of art, Kandinsky was a highly influential and important pioneer in the modern art movement. "Concerning the Spiritual in Art" is organized into two parts. In the first part titled "About General Aesthetic", Kandinsky makes the argument that art should transition from being an exact and realistic representation of the material world to becoming instead an abstract reflection of the inner mind of the artist. In the second part, titled "About Painting", the artist describes the different psychological and emotional meanings of colors and the social and spiritual responsibilities of the artist. Kandinsky believed that humanity was a pyramid and at the top are the greatest of artists and those artists had the ability and duty to lead society to its spiritual pinnacle. Over a hundred years later, Kandinsky's work continues to be a valuable and illuminating read into the artistic mind of Wassily Kandinsky. This edition follows the 1912 translation of Michael T. H. Sadler and is printed on premium acid-free paper.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (13) 3890 lei  22-36 zile
  CreateSpace Independent Publishing Platform – 3890 lei  22-36 zile
  Dover Publications – 31 mai 1977 4413 lei  22-29 zile +1510 lei  5-11 zile
  EMPIRE BOOKS – 30 noi 2011 5061 lei  22-36 zile
  CREATESPACE – 31 aug 2009 5140 lei  22-36 zile
  CREATESPACE – 5594 lei  22-36 zile
  Penguin Books – 29 iun 2022 5747 lei  25-31 zile +2014 lei  5-11 zile
  Neeland Media – 12 iun 2019 5010 lei  43-57 zile
  Connecting to God – 31 dec 2009 5061 lei  43-57 zile
  Echo Library – 30 noi 2008 6027 lei  38-44 zile
  Bibliotech Press – 18 ian 2012 8051 lei  43-57 zile
  Bibliotech Press – 2 aug 2019 8051 lei  43-57 zile
  Indoeuropeanpublishing.com – 31 mai 2011 8072 lei  43-57 zile
  Book Jungle – 3 iul 2008 8632 lei  43-57 zile
Hardback (3) 6617 lei  22-29 zile +2435 lei  5-11 zile
  Dover Publications Inc. – 29 iul 2021 6617 lei  22-29 zile +2435 lei  5-11 zile
  – 12014 lei  43-57 zile
  Binker North – 29 feb 1912 13806 lei  43-57 zile +4733 lei  5-11 zile

Preț: 5010 lei

Nou

Puncte Express: 75
Preț estimativ în valută:
959€ • 999$ • 798£

Carte tipărită la comandă

Livrare economică 06-20 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781420962130
ISBN-10: 1420962132
Pagini: 74
Dimensiuni: 135 x 209 x 8 mm
Greutate: 0.1 kg
Editura: Neeland Media

Textul de pe ultima copertă

A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.
Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.
This English translation of Uber das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

Cuprins

Translator's Introduction Part I. ABOUT GENERAL AESTHETIC I. Introduction II. The Movement of the Triangle III. Spiritual Revolution IV. The Pyramid Part II. ABOUT PAINTING V. The Psychological Working of Colour VI. The Language of Form and Colour VII. Theory VIII. Art and Artists IX. Conclusion

Descriere

Descriere de la o altă ediție sau format:

Artists and thinkers alike will treasure this special hardcover edition of one of the most important documents in the history of modern art. A pioneering work in spiritual revolution and the movement to free art from its traditional bonds to material reality, and written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it helps readers understand art by explaining Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking abstract paintings, this book had a tremendous impact on the development of modern art.

Notă biografică

Wassily Wassilyevich Kandinsky (16 December [O.S. 4 December] 1866 - 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art.[1] Born in Moscow, Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession-he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)-Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton A¿be's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky"[2] and helped establish the Museum of the Culture of Painting.[3] However, by then "his spiritual outlook... was foreign to the argumentative materialism of Soviet society",[4] and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944. Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant.[5][6] One of his great grandmothers was a Princess Gantimurova, probably explaining the "slight Mongolian trait in his features".[7] Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. In 1889, he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, and his study of the region's folk art (particularly the use of bright colours on a dark background), was reflected in much of his early work. A few years later he first likened painting to composing music in the manner for which he would become noted, writing, "Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul".[8] Kandinsky was also the uncle of Russian-French philosopher Alexandre Kojève (1902-1968).