Contemporary Revolutions: Turning Back to the Future in 21st-Century Literature and Art
Editat de Professor Susan Stanford Friedmanen Limba Engleză Hardback – 3 oct 2018
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Specificații
ISBN-13: 9781350045293
ISBN-10: 1350045292
Pagini: 264
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350045292
Pagini: 264
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Examines artists' responses to topical issues like the Syrian Revolution; misogyny and homophobia in Africa; transgenderism in today's society and the obscurity of our future
Notă biografică
Susan Stanford Friedman is Hilldale Professor of the Humanities and the Virginia Woolf Professor of English and Women's Studies at the University of Wisconsin-Madison, USA. Her recent books include Planetary Modernisms: Provocations on Modernity Across Time and Comparison: Theories, Approaches, Uses (with Rita Felski). Her work has been translated into ten languages.
Cuprins
List of FiguresNotes on Contributors Beginnings Introduction: "The Past in the Present: Temporalities of the Contemporary"Susan Stanford Friedman, University of Wisconsin-Madison, USAChapter 1: "Recycling Revolution: Re-mixing A Room of One's Own and Black Power in Kabe Wilson's Performance, Installation, and Narrative Art" Susan Stanford Friedman, University of Wisconsin-Madison, USA Recycles: Aesthetics of Unsewing and Blacking OutChapter 2: "Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's Creative Labor" Susan David Bernstein, Boston University, USA Chapter 3: "Make It Niu: Blacking Out of Albert Wendt's Pouliuli the Tusitala Way" Selina Tusitala Marsh, University of Auckland, New Zealand Revolutions: Arts of ResistanceChapter 4: "Curating the Syrian Revolution Online" miriam cooke, Duke University, USAChapter 5: "A Thousand Times No!: Spray Painting as Resistance and the Visual History of the Lam-Alif" Bahia Shehab, American University of Cairo, EgyptRestages: Palimpsests of the PastChapter 6: "The Folds of History in William Kentridge's Black Box Theatre: Sampling German Nazism and Colonialism" Rosemarie Buikema, Utrecht University, The Netherlands Chapter 7: "The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse." Rita Barnard, University of Pennsylvania, USA Rereads: Then, NowChapter 8: "Repair Work, Despair Work: W. G. Sebald's Contending Modernisms" Elizabeth Abel, University of California, Berkeley, USAChapter 9: "On Rereading Woolf's Orlando as Transgender Text" Margaret Homans, Yale University, USA Index