Contemporary Revolutions: Turning Back to the Future in 21st-Century Literature and Art
Editat de Professor Susan Stanford Friedmanen Limba Engleză Paperback – 29 apr 2020
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 194.32 lei 6-8 săpt. | |
Bloomsbury Publishing – 29 apr 2020 | 194.32 lei 6-8 săpt. | |
Hardback (1) | 711.54 lei 6-8 săpt. | |
Bloomsbury Publishing – 3 oct 2018 | 711.54 lei 6-8 săpt. |
Preț: 194.32 lei
Preț vechi: 288.82 lei
-33% Nou
Puncte Express: 291
Preț estimativ în valută:
37.19€ • 39.28$ • 31.09£
37.19€ • 39.28$ • 31.09£
Carte tipărită la comandă
Livrare economică 01-15 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781350160231
ISBN-10: 1350160237
Pagini: 264
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.37 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350160237
Pagini: 264
Ilustrații: 12 bw illus
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.37 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
Examines
artists'
responses
to
topical
issues
like
the
Syrian
Revolution;
misogyny
and
homophobia
in
Africa;
transgenderism
in
today's
society
and
the
obscurity
of
our
future
Notă biografică
Susan
Stanford
Friedmanis
Hilldale
Professor
of
the
Humanities
and
the
Virginia
Woolf
Professor
of
English
and
Women's
Studies
at
the
University
of
Wisconsin-Madison,
USA.
Her
recent
books
includePlanetary
Modernisms:
Provocations
on
Modernity
Across
TimeandComparison:
Theories,
Approaches,
Uses(with
Rita
Felski).
Her
work
has
been
translated
into
ten
languages.
Cuprins
List
of
FiguresNotes
on
ContributorsBeginningsIntroduction:
"The
Past
in
the
Present:
Temporalities
of
the
Contemporary"Susan
Stanford
Friedman,
University
of
Wisconsin-Madison,
USAChapter
1:
"Recycling
Revolution:
Re-mixingA
Room
of
One's
Ownand
Black
Power
in
Kabe
Wilson's
Performance,
Installation,
and
Narrative
Art"Susan
Stanford
Friedman,
University
of
Wisconsin-Madison,
USARecycles:
Aesthetics
of
Unsewing
and
Blacking
OutChapter
2:
"Stitch
Works:
Ellen
Bell's
Unpicking
Aesthetics
and
Victorian
Women's
Creative
Labor"Susan
David
Bernstein,
Boston
University,
USAChapter
3:
"Make
ItNiu:
Blacking
Out
of
Albert
Wendt'sPouliulitheTusitalaWay"Selina
Tusitala
Marsh,
University
of
Auckland,
New
ZealandRevolutions:
Arts
of
ResistanceChapter
4:
"Curating
the
Syrian
Revolution
Online"miriam
cooke,
Duke
University,
USAChapter
5:
"A
Thousand
Times
No!:
Spray
Painting
as
Resistance
and
the
Visual
History
of
theLam-Alif"Bahia
Shehab,
American
University
of
Cairo,
EgyptRestages:
Palimpsests
of
the
PastChapter
6:
"The
Folds
of
History
in
William
Kentridge'sBlack
BoxTheatre:
Sampling
German
Nazism
and
Colonialism"Rosemarie
Buikema,
Utrecht
University,
The
NetherlandsChapter
7:
"The
Revolutions
of
Antjie
Krog'sLady
Anne:
A
Chronicle
in
Verse."Rita
Barnard,
University
of
Pennsylvania,
USARereads:
Then,
NowChapter
8:
"Repair
Work,
Despair
Work:
W.
G.
Sebald's
Contending
Modernisms"Elizabeth
Abel,
University
of
California,
Berkeley,
USAChapter
9:
"On
Rereading
Woolf'sOrlandoas
Transgender
Text"Margaret
Homans,
Yale
University,
USAIndex