Contemporary Sino-Japanese Relations on Screen: A History, 1989-2005: SOAS Studies in Modern and Contemporary Japan
Autor Griseldis Kirschen Limba Engleză Paperback – 16 noi 2016
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Paperback (1) | 255.47 lei 6-8 săpt. | |
Bloomsbury Publishing – 16 noi 2016 | 255.47 lei 6-8 săpt. | |
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Specificații
ISBN-13: 9781350014152
ISBN-10: 135001415X
Pagini: 240
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.34 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria SOAS Studies in Modern and Contemporary Japan
Locul publicării:London, United Kingdom
ISBN-10: 135001415X
Pagini: 240
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.34 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria SOAS Studies in Modern and Contemporary Japan
Locul publicării:London, United Kingdom
Caracteristici
Fills a gap in the existing literature by synthesizing media studies, history and area studies
Notă biografică
Griseldis Kirsch is Lecturer in Contemporary Japanese Culture at SOAS, University of London, UK.
Cuprins
Introduction1. Japan and China, an Uneasy Relationship Full of Misperceptions?2. Japanese Economic Dominance in China3. China as Japan's Vision of Horror4. China as Japan's Source of Salvation5. China and Japan - Encounters in a transnational space?ConclusionsBibliographyIndex
Recenzii
This is a thought-provoking work that will raise many questions worthy of a reader's careful consideration ... A rewarding read.
This is a long-awaited book that comprehensively examines Japan's media representation of China. Griseldis Kirsch superbly elucidates the continuity and change of historically constituted Japan's ambivalent desire for China through the analysis of TV and film representation in the post-cold-war context of China's rising economic power. It offers us a precious historical account of the current predicament of Japan's relationship with China.
With clarity and erudition, Griseldis Kirsch provides us with a close reading of Japanese film and television productions since the late 1980s as they refer to Asia, and China in particular. Outlining surprising historical continuities in the entangled and fraught ways that characterise modern Japan's relation to and imagination of Asia, Kirsch gives a fascinating account and a deep theoretical reading of the grand narrative that seems to underlie small and big screen productions: What evolves is an ever shape-shifting but tenaciously persistent nihonjinron. A must read for anyone interested not only in media, film and television studies in Japan but in the wider question of cultural and political relations in the changing economic landscape of East Asian nations.
This is a long-awaited book that comprehensively examines Japan's media representation of China. Griseldis Kirsch superbly elucidates the continuity and change of historically constituted Japan's ambivalent desire for China through the analysis of TV and film representation in the post-cold-war context of China's rising economic power. It offers us a precious historical account of the current predicament of Japan's relationship with China.
With clarity and erudition, Griseldis Kirsch provides us with a close reading of Japanese film and television productions since the late 1980s as they refer to Asia, and China in particular. Outlining surprising historical continuities in the entangled and fraught ways that characterise modern Japan's relation to and imagination of Asia, Kirsch gives a fascinating account and a deep theoretical reading of the grand narrative that seems to underlie small and big screen productions: What evolves is an ever shape-shifting but tenaciously persistent nihonjinron. A must read for anyone interested not only in media, film and television studies in Japan but in the wider question of cultural and political relations in the changing economic landscape of East Asian nations.