Creation and the Function of Art: Techné, Poiesis and the Problem of Aesthetics: Bloomsbury Studies in Continental Philosophy
Autor Jason Tuckwellen Limba Engleză Hardback – 29 noi 2017
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Specificații
ISBN-13: 9781350010765
ISBN-10: 1350010766
Pagini: 240
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.51 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Continental Philosophy
Locul publicării:London, United Kingdom
ISBN-10: 1350010766
Pagini: 240
Dimensiuni: 156 x 234 x 23 mm
Greutate: 0.51 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Continental Philosophy
Locul publicării:London, United Kingdom
Caracteristici
Specifies and broadens the significance of art with implications for disciplines conventionally considered distant from it
Notă biografică
Jason Tuckwell is a Researcher and tutor in the Writing and Society Research Group at Western Sydney University, Australia.
Cuprins
Introduction1. Functions and models: Art and knowledge2. The re-problematisation of techné: Subjects and praxis3. Deviant techné: Phusis and -jet 4. The function of Art: Creation and poiesisConclusionBibliographyIndex
Recenzii
There are flashes of brilliance in some of the connections Tuckwell makes with diverse areas of inquiry. Evolutionary theories may, indeed, offer a useful perspective on Aristotle's sense of nature and efficient causality.
This is one of the first and most systematic reevaluations of Aristotle's concept of techné in relation to aesthetic theory, but especially in its incorporation of new technical philosophy inspired by the writings of Simondon. It will make an invaluable contribution to both the history of the philosophical literature and the current debates around technical objects and art.
Creation and the Function of Art is one of those rare books that, while they acknowledge their debt to the history of philosophy, manage to say something radically new and provide a fresh angle from which an ancient question can be addressed. More than that, Tuckwell not only makes a uniquely authoritative contribution to the field, but actually lays the foundations for a new field of philosophical inquiry - a philosophical exploration of the function in the work of art. This is an astounding work, and I am sure that anyone with an interest in art and in philosophical aesthetics will find it a stimulating and valuable reading.
Tuckwell develops a novel account of the creative impetus in artistic production by re-problematizing the Aristotelian concept of techné by means of the mathematical function. The function is used to model, not only the creative impetus, but all of the generative principles that underpin a distinctly Aristotelian inspired or neo-Aristotelian process philosophy.
This is one of the first and most systematic reevaluations of Aristotle's concept of techné in relation to aesthetic theory, but especially in its incorporation of new technical philosophy inspired by the writings of Simondon. It will make an invaluable contribution to both the history of the philosophical literature and the current debates around technical objects and art.
Creation and the Function of Art is one of those rare books that, while they acknowledge their debt to the history of philosophy, manage to say something radically new and provide a fresh angle from which an ancient question can be addressed. More than that, Tuckwell not only makes a uniquely authoritative contribution to the field, but actually lays the foundations for a new field of philosophical inquiry - a philosophical exploration of the function in the work of art. This is an astounding work, and I am sure that anyone with an interest in art and in philosophical aesthetics will find it a stimulating and valuable reading.
Tuckwell develops a novel account of the creative impetus in artistic production by re-problematizing the Aristotelian concept of techné by means of the mathematical function. The function is used to model, not only the creative impetus, but all of the generative principles that underpin a distinctly Aristotelian inspired or neo-Aristotelian process philosophy.