Creative Enterprise: Contemporary Art between Museum and Marketplace: International Texts in Critical Media Aesthetics
Autor Martha Buskirken Limba Engleză Paperback – 27 iun 2012
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 274.33 lei 6-8 săpt. | |
Bloomsbury Publishing – 27 iun 2012 | 274.33 lei 6-8 săpt. | |
Hardback (1) | 675.82 lei 41-52 zile | |
Bloomsbury Academic – 31 mar 2012 | 675.82 lei 41-52 zile |
Preț: 274.33 lei
Preț vechi: 312.36 lei
-12% Nou
Puncte Express: 411
Preț estimativ în valută:
52.50€ • 54.60$ • 43.94£
52.50€ • 54.60$ • 43.94£
Carte tipărită la comandă
Livrare economică 15-29 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781441188205
ISBN-10: 1441188207
Pagini: 392
Ilustrații: 125
Dimensiuni: 138 x 216 x 23 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Seria International Texts in Critical Media Aesthetics
Locul publicării:New York, United States
ISBN-10: 1441188207
Pagini: 392
Ilustrații: 125
Dimensiuni: 138 x 216 x 23 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Seria International Texts in Critical Media Aesthetics
Locul publicării:New York, United States
Caracteristici
Considers the interplay between art and institution in light of earlier forms of interdependence.
Notă biografică
Martha Buskirk is professor of art history and criticism at Montserrat College of Art, MA. She is author of The Contingent Object of Contemporary Art (MIT Press, 2003) and co-editor of The Duchamp Effect and The Destruction of Tilted Arc: Documents.
Cuprins
Acknowledgments
Introduction
Chapter 1: Now and Then
Chapter 2: The Collection
Chapter 3: Kaprow's Vector
Chapter 4: When Is the Work of Art?
Chapter 5: Rebranding the Readymade
Chapter 6: Mobile Art Services
Index
Introduction
Chapter 1: Now and Then
Chapter 2: The Collection
Chapter 3: Kaprow's Vector
Chapter 4: When Is the Work of Art?
Chapter 5: Rebranding the Readymade
Chapter 6: Mobile Art Services
Index
Recenzii
The fraught relationship between contemporary art and commerce is a frequent topic of conversation in the art world, but few have addressed it with the lucidity and intelligence that Martha Buskirk has achieved in her new book, Creative Enterprise: Contemporary Art between Museum and Marketplace. With wry humor, Buskirk examines contemporary art's complicated network 'from the biennial circuit to auction.' She places special emphasis on how museums now simultaneously instigate and co-opt what once was thought to be critical discourse as they become ever more aligned with the burgeoning marketplace for culture: the experience economy. This is an eye-opening must read for artists, museum professionals, art students, and members of the museum-going public. --Jane Farver, Consulting Director, Prospect New Orleans
If you are interested in the institutions of art, then Martha Buskirk's intelligent, informative book is a must-read. --Sarah Thornton, author of Seven Days in the Art World
As the director of a museum dedicated fully to contemporary art, I am happy to welcome Martha Buskirk's book as a significant addition to the field of museum studies. Buskirk is a perpetually engaging writer, and her pages overflow with the most provocative, humorous and informative case studies of the often confounding installations and exhibitions that occur in current art practice. She examines the layers of causality in which the creation of institutions dedicated to exhibiting contemporary art have called into being a type of art that would be unthinkable prior to their existence. Buskirk works through individual artists' motivations with clear descriptions of the art works, and while she listens intently to the makers' stated intentions she nonetheless enjoys critically examining the works in the context of similar artistic provocations and pushing on their often overlooked conceptual gaps. This is a great primer for both neophytes and arts professionals trying to clearly see the place of nontraditional artworks in today's museum landscape. --Bill Arning, Director, Contemporary Arts Museum Houston
If you are interested in the institutions of art, then Martha Buskirk's intelligent, informative book is a must-read. --Sarah Thornton, author of Seven Days in the Art World
As the director of a museum dedicated fully to contemporary art, I am happy to welcome Martha Buskirk's book as a significant addition to the field of museum studies. Buskirk is a perpetually engaging writer, and her pages overflow with the most provocative, humorous and informative case studies of the often confounding installations and exhibitions that occur in current art practice. She examines the layers of causality in which the creation of institutions dedicated to exhibiting contemporary art have called into being a type of art that would be unthinkable prior to their existence. Buskirk works through individual artists' motivations with clear descriptions of the art works, and while she listens intently to the makers' stated intentions she nonetheless enjoys critically examining the works in the context of similar artistic provocations and pushing on their often overlooked conceptual gaps. This is a great primer for both neophytes and arts professionals trying to clearly see the place of nontraditional artworks in today's museum landscape. --Bill Arning, Director, Contemporary Arts Museum Houston