Expanded Internet Art: Twenty-First-Century Artistic Practice and the Informational Milieu: International Texts in Critical Media Aesthetics
Autor Ceci Mossen Limba Engleză Paperback – 18 sep 2019
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Specificații
ISBN-13: 9781501347764
ISBN-10: 1501347764
Pagini: 168
Ilustrații: 19 bw illus
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria International Texts in Critical Media Aesthetics
Locul publicării:New York, United States
ISBN-10: 1501347764
Pagini: 168
Ilustrații: 19 bw illus
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria International Texts in Critical Media Aesthetics
Locul publicării:New York, United States
Caracteristici
Focuses on information systems themselves, including theoretical perspectives, and examples of creative work that look to those structures as both subject matter and vehicle
Notă biografică
Ceci Moss is a curator, writer and educator based in Los Angeles, USA. She is the founder of Gas, a mobile, autonomous, experimental and networked platform for contemporary art. Her academic research addresses contemporary internet-based art practice and network culture. Her writing has appeared in Rhizome, Art in America, ArtAsiaPacific, Artforum, The Wire, CURA, New Media & Society and various art catalogs. Previously, she was Assistant Curator of Visual Arts at Yerba Buena Center for the Arts, the Senior Editor of the art and technology non-profit arts organization Rhizome, and Special Projects Coordinator at the New Museum. She has held teaching positions at Scripps College, the San Francisco Art Institute and New York University.
Cuprins
AcknowledgmentsIntroduction: Active Agents1. No Center, No Object, Just Networks: Expanded Internet Art2. Milieux, Then and Now3. Resistance in the Domain of All Inputs, All Outputs: Jean-François Lyotard and Thierry Chaput's Les Immateriaux4. Parsing Attention: Image Circulation and AffectConclusion: Breaking PresenceBibliographyIndex
Recenzii
Moss gives a proper theoretical framework for understanding this most recent controversial period for internet art, elucidating its very dynamic characteristics, which are simultaneously composing its very nature.
Unfold, surf, drift -- in this insightful book, Ceci Moss presents Internet art in an expanded frame, returning to Jean-François Lyotard's important 1985 exhibition "Les Immate´riaux" in Paris, and continuing on through contemporary artists responding to the Internet. Recommended reading for anyone interested in twenty-first-century aesthetics and culture.
What does art do in an information-driven culture? Moreover, how does information-driven art enable us to take note of the changes in our culture? This book draws a line under competing theories of the place of art, post-internet, that have been jostling for space since pre-internet days, and reminds us - simply and urgently - that art can and does (or can even choose not to). Ceci Moss has written a clear-eyed conversational treatise that joins philosophies of technology and recent histories of information-driven art and her efforts will help any student or practitioner navigate our fluid media landscape. I've always wanted a book that brought Simondon, Lyotard, Laric, and LOL cats together, and now I've got one.
Unfold, surf, drift -- in this insightful book, Ceci Moss presents Internet art in an expanded frame, returning to Jean-François Lyotard's important 1985 exhibition "Les Immate´riaux" in Paris, and continuing on through contemporary artists responding to the Internet. Recommended reading for anyone interested in twenty-first-century aesthetics and culture.
What does art do in an information-driven culture? Moreover, how does information-driven art enable us to take note of the changes in our culture? This book draws a line under competing theories of the place of art, post-internet, that have been jostling for space since pre-internet days, and reminds us - simply and urgently - that art can and does (or can even choose not to). Ceci Moss has written a clear-eyed conversational treatise that joins philosophies of technology and recent histories of information-driven art and her efforts will help any student or practitioner navigate our fluid media landscape. I've always wanted a book that brought Simondon, Lyotard, Laric, and LOL cats together, and now I've got one.