Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China: Chinese Literature and Culture in the World
Autor Lena Henningsenen Limba Engleză Paperback – 7 oct 2022
Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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Specificații
ISBN-13: 9783030733858
ISBN-10: 3030733858
Pagini: 283
Ilustrații: XVIII, 283 p. 23 illus., 1 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.36 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Chinese Literature and Culture in the World
Locul publicării:Cham, Switzerland
ISBN-10: 3030733858
Pagini: 283
Ilustrații: XVIII, 283 p. 23 illus., 1 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.36 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Chinese Literature and Culture in the World
Locul publicării:Cham, Switzerland
Cuprins
Chapter 1: Introduction.- Chapter 2: The writing and rewriting of an exemplary shouchaoben: Zhang Yang’s The Second Handshake during the Cultural Revolution.- Chapter 3: Texts on travel: stability across variation and secondary authorship in espionage shouchaoben fiction.- Chapter 4: Shouchaoben as literary avant-garde: Open Love Letters and Waves.- Chapter 5: Ways of reading: Cultural Revolution reading acts.- Chapter 6: World literature and intertextuality: reading acts in shouchaoben fiction.- Chapter 7: From underground into the mainstream: shouchaoben fiction on the commercial book market.- Chapter 8: Conclusion: Shouchaoben fiction as texts in motion.
Recenzii
“Cultural Revolution Manuscripts is an admirable and highly readable book. … Particularly valuable are her comparisons of variant forms … .” (Richard King, MCLC, Modern Chinese Literature & Culture, February, 2022)
Notă biografică
Lena Henningsen is Professor at the University of Freiburg, Germany. As a specialist of twentieth- and twenty-first-century Chinese literature, she has published widely on popular literature, reading culture and consumer culture in the People’s Republic of China. Her research has been supported by, among others, the European Research Council and the German Young Academy.
Textul de pe ultima copertă
This book investigates handwritten entertainment fiction (shouchaoben wenxue) which circulated clandestinely during the Chinese Cultural Revolution. Lena Henningsen’s analyses of exemplary stories and their variation across different manuscript copies brings to light the creativity of these readers-turned-copyists. Through copying, readers modified the stories and became secondary authors who reflected on the realities of the Cultural Revolution. Through an enquiry into actual reading practices as mapped in autobiographical accounts and into intertextual references within the stories, the book also positions manuscript fiction within the larger reading cosmos of the long 1970s. Henningsen analyzes the production, circulation and consumption of these texts, considering continuities across the alleged divide of the end of the Mao-era and the beginning of the reform period. The book further reveals how these texts achieved fruitful afterlives as re-published bestsellers or as adaptations into comic books or movies, continuing to shape the minds of their audience and the imaginations of the past.
Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Caracteristici
Offers close readings of shouchaoben fiction in 1970s Brings dissident writing into the corpus of modern Chinese literature Examines the Cultural Revolution of the context of Chinese literary history