David Jones on Religion, Politics, and Culture: Unpublished Prose: Modernist Archives
Autor David Jones Editat de Dr Thomas Berenato, Dr Anne Price-Owen, Kathleen Henderson Staudten Limba Engleză Hardback – 27 iun 2018
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Specificații
ISBN-13: 9781474274135
ISBN-10: 1474274137
Pagini: 368
Dimensiuni: 169 x 244 mm
Greutate: 0.77 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Modernist Archives
Locul publicării:London, United Kingdom
ISBN-10: 1474274137
Pagini: 368
Dimensiuni: 169 x 244 mm
Greutate: 0.77 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Modernist Archives
Locul publicării:London, United Kingdom
Caracteristici
Makes available for the first time unpublished writings on politics, faith and modernism by the important modernist poet and painter David Jones
Notă biografică
David Jones (1895-1974) was a painter and poet increasingly recognized as one of the most important and original voices in British modernism. His poem In Parenthesis was described by T.S. Eliot as "a work of genius" and by Stephen Spender as "the most monumental work of poetic genius to come out of World War I". His many admirers included W.H. Auden, Herbert Read, and W.B. Yeats. Thomas Berenato is a PhD candidate at the University of Virginia, USA. Anne Price-Owen is Research and Postgraduate Tutor at the University of Wales Trinity Saint David, Swansea Campus, UK. She is head of the David Jones Society and editor of The David Jones Journal. Kathleen Henderson Staudt teaches at Virginia Theological Seminary and the Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary, USA. She is the author of At the Turn of a Civilization: David Jones and Modern Poetics (1994) and three volumes of poetry.
Cuprins
Editorial Preface to Modernist ArchivesAcknowledgementsEditors and ContributorsIllustrationsForewordRowan Williams, University of Cambridge, UK IntroductionThomas Berenato, University of Virginia, USA Letter to Neville Chamberlain, 18 December 1938Oliver Bevington, Aberystwyth University, UKEssay on Adolf Hitler, 11 May 1939Tom Villis, Regent's University London, UKEssay on Gerard Manley Hopkins, c. 1968Thomas Berenato, University of Virginia, USAMabon Studios Interview, 31 August - 3 September 1973Jasmine Hunter Evans, University of Exeter, UK, and Anne Price-Owen, University of Wales Trinity Saint David, Swansea Campus, UKConclusionKathleen Henderson Staudt, Virginia Theological Seminary and Wesley Theological Seminary, USAAppendix: Abridged Edition of David Jones's Essay on Gerard Manley HopkinsKathleen Henderson Staudt, Virginia Theological Seminary and Wesley Theological Seminary, USA Bibliography Index
Recenzii
Bloomsbury Academic includes four unpublished David Jones texts in this new volume in its "Modernist Archives" series ... They are useful, and often valuable, additions to the now extensive oeuvre, each scrupulously (but extensively) edited.
David Jones (1895-1974) is acknowledged increasingly as a pioneering poet and visual artist . This addition to the Jones corpus confirms those judgments while opening new lines of scholarly inquiry, particularly concerning his stances on crucial, and controversial, political issues of his era . Kathleen Henderson Staudt provides a capacious, judicious historiographical survey that orients tyros to this burgeoning field while enriching veteran scholars' interpretations. Staudt's distilled edition of the Hopkins essay presents Jones's reflections on the Victorian poet-priest as a proleptic modernist and on the resultant "mystery" of profound affinities existing between artists separated by decades, even centuries. Thomas Berenato's exhaustive manuscript study of this article further includes cogent encapsulations of core aspects of Jones's worldview, especially his theology and aesthetics, many of which are reiterated in the 1973 interview and which informed his political outlook.
David Jones (1895-1974) is acknowledged increasingly as a pioneering poet and visual artist . This addition to the Jones corpus confirms those judgments while opening new lines of scholarly inquiry, particularly concerning his stances on crucial, and controversial, political issues of his era . Kathleen Henderson Staudt provides a capacious, judicious historiographical survey that orients tyros to this burgeoning field while enriching veteran scholars' interpretations. Staudt's distilled edition of the Hopkins essay presents Jones's reflections on the Victorian poet-priest as a proleptic modernist and on the resultant "mystery" of profound affinities existing between artists separated by decades, even centuries. Thomas Berenato's exhaustive manuscript study of this article further includes cogent encapsulations of core aspects of Jones's worldview, especially his theology and aesthetics, many of which are reiterated in the 1973 interview and which informed his political outlook.