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Death of England: Closing Time de Roy Williams

Death of England: Closing Time: Modern Plays

Autor Roy Williams, Clint Dyer
en Limba Engleză Paperback – 12 sep 2023
Look at it Carly, look at our dream.No one's happy Denise.There are two sides to every story.Grieving the loss of the family shop and their dreams destroyed, Denise and daughter-in-law Carly are left to pick up the pieces of their relatives' mistakes.Will all be forgiven?Jo Martin (Doctor Who) and Hayley Squires (I, Daniel Blake) play Denise and Carly in this thought-provoking drama that explores family dynamics, race, colonialism and cancel culture.Clint Dyer (Othello) and Roy Williams (Sucker Punch) reunite to write this powerful new play, the final, standalone chapter of the award-winning Death of England series.This edition was published to coincide with the world premiere at the Dorfman Theatre, National Theatre, London, in September 2023.
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Specificații

ISBN-13: 9781350448827
ISBN-10: 1350448826
Pagini: 80
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

This edition was published to coincide with the world premiere at the National's Dorfman Theatre, London, in September 2023

Notă biografică

Roy Williams, OBE, graduated from Rose Bruford in 1995 with a first class BA Hons degree in Writing. The No Boys Cricket Club (Theatre Royal, Stratford East, 1996) won him nominations for the TAPS Writer of the Year Award 1996 and for New Writer of the Year Award 1996 by the Writers' Guild of Great Britain. He was the first recipient of the Alfred Fagon Award 1997 for Starstruck (Tricycle Theatre, London, 1998), which also won the 31st John Whiting Award and the EMMA Award 1999. Lift Off (Royal Court Theatre Upstairs, 1999) was the joint winner of the George Devine Award 2000. His other theatre credits include Clubland (Royal Court, 2001), for which Roy won the Evening Standard Charles Wintour Award for the Most Promising Playwright; Sing Yer Heart Out for the Lads (National Theatre, 2002, 2004); Sucker Punch (Royal Court, 2010). His screenplays include Offside, winner of a BAFTA for Best Schools Drama 2002. He was awarded the OBE for Services to Drama in the 2008 Birthday Honours List.Clint Dyer: On stage he has worked with heralded directors like Mike Leigh, Simon Mcburney, Dominic Cooke, Micheal Attenbourgh, Jane Howel, Ian Brown, Mike Bradwell, Madani Yohonis, Gbolahan Obesisan, Dawn Walton, and the legendary Philip Hedley, etc. He starred on stage in the National Theatres Oliver winning show Ma Rainey's Black Bottom directed by Dominic Cook, for which he won best actor in the I.A.R.Awards. Clint won Best actor at the British Urban Film Awards, Screen Nation Film and Television Awards, Liege International Film Festival and The Texas Black Film Festival for 'SUS' . He was also nominated for the Independent Spirit Award at the Screen Nation Film and Television Awards for 'SUS'. Clint directed the Olivier, Evening Standard, TMA and What's On Theatre Goers, nominated show 'THE BIG LIFE', at TRSE, bringing it to the Apollo Theatre on Shaftesbury Avenue, makingmit the first Black British musical to go the West End. Also the soon to be seen 'The Happy Tragedy Of Being Woke' which Clint has written and will co-direct with Simon Mcburney for Complicite. Alongside this he is currently development with the BFI on a Raquel Delahay script called 'Ciara'. As a writer, Clint is under commission with BBC Films , Theatre Royal Stratford East and The Royal National Theatre.

Recenzii

Impassioned and insightful
A blazing performance snuffed out too soon
In this furious, funny shout of a play, one black Londoner explores the racism encoded both in British institutions and in his relationships with his white best friend and girlfriend. It's an urgent, timely solo work, performed with firecracker energy and a blend of charm and rage
A commanding physical performance
Dyer and Williams have delivered a play we urgently need, and one we'll likely be talking about for years to come, when the closure of London's theatres will be a distant memory
The writing glitters ... brash and brilliant theatre